Hi, my name is Nikita Slater and I'm the International Bestselling author of The Queens series, Fire & Vice series, The Sanctuary series, Driven Hearts series and several standalone novels. I've loved the written word my entire life and am an avid reader, as well as a writer. I live, eat and breathe books and I'm always working on something new!
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I live on the beautiful Canadian prairies with my son and crazy awesome dog. I have an unholy affinity for books (especially dark romance), wine, pets and anything chocolate. Despite some of the darker themes in my books (which are pure fun and fantasy), I am a staunch feminist and advocate of equal rights for all races, genders and non-gender specific persons. When I'm not writing, dreaming about writing or talking about writing, I love to help others discover a love of reading and writing through literacy and social work.

Only the strongest can survive in a hostile world ravaged by a disease that turns humans into primitives.

She is the Desert Wren, a rebel bent on providing safe passage to illegal refugees entering into her Sanctuary city. If she’s caught she’ll be executed, but the price is worth the privilege of doing what she knows is right. Except when she’s finally caught, the sentence isn’t death, it’s her freedom.

It’s the Warlord’s job to weed out the weak and sacrifice them for the good of the Sanctuary. Brutal and autocratic, he is the highest authority. The only threat to his dictatorship is a rebel faction rising up from the slums of his city. When he arrests a rebel leader, the Desert Wren, he sees his redemption. She will help him guide Sanctuary into the future. He just needs to convince his little captive that she’s better off with him than flying free.

What is the price of Sanctuary in a dying world and is it worth the sacrifice?


The Sanctuary Series

The evening shadows flicker and dance in the candlelight surrounding Taran as she bends over the desk I found for her, putting the final touches on her mask. She looks both hauntingly beautiful and macabre. She used a combination of charcoal and white and red paints to create a skeletal look. A thick layer of black surrounds her eyes, followed by white to represent the skull and red for her lips. She painted a small heart on her cheek. 


"Beautiful," I say, walking further into the room. She smiles into the mirror as I approach and drop a kiss onto her head. 


She turns in her seat to look up and me and gasps, jumping back. I grab her arm before she tumbles out of the seat and steady her. 


"Diogo!" she says aghast, half reaching up toward my face. "Is it real?"


Chapter 32: Diogo