Malory and Kyle must participate in the annual April Fest production as the leading co-stars. If they can cooperate by the end of the production, their long records of uncivilized behaviour towards each other will be forgotten. 
Malory and Kyle attempt to cooperate, grabbing the opportunity to make a positive impact on their own future. In the process, they become entangled in the chaos of the other’s personal life. Malory learns of Kyle’s disturbing reality, and Kyle learns of Malory’s scarring past. Can these two brilliant but messy teens learn to rely on each other in the face of their silent battles?

Between The Lines

 We burst through the front doors and out into the car park. 


 “What the hell just happened?” Olivia asks, with an expression of stark terror. “What are you all doing here –why did Dale have a gun –h...how did you get here so fast –who’s that guy that Kyle came running in with, I-” 


 “Olivia,” I say, slowly, she hugs herself, “Calm... down. We’ll explain everything. Dale was a bad guy. You didn’t get my message in time, and for God’s sake could you not have answered your phone at all?” 


 “I turned it off,” she says, frowning, her shoulders falling lazily, “I figured it was a date... and I didn’t want to... I didn’t want to...” She doesn’t finish her sentence. She huffs out a shaky breath. “He had a gun.” Her eyes well up with tears. “And he was trying to... it was going so fast... but I... didn’t want... I didn’t know how to...” 


Saving Saviours [1]