Malory and Kyle must participate in the annual April Fest production as the leading co-stars. If they can cooperate by the end of the production, their long records of uncivilized behaviour towards each other will be forgotten. 
Malory and Kyle attempt to cooperate, grabbing the opportunity to make a positive impact on their own future. In the process, they become entangled in the chaos of the other’s personal life. Malory learns of Kyle’s disturbing reality, and Kyle learns of Malory’s scarring past. Can these two brilliant but messy teens learn to rely on each other in the face of their silent battles?

Between The Lines

 “I pity your indifference to the matter,” she says. “Such dealings with commoners is fretful –oh, just the thought of it feels abrasive! These people work day in, day out to earn what you throw across a table for a sour taste! How are you not ashamed?” 


 “My lady, it is with great disdain that I should oppose. A man such as myself only wishes to enjoy what life has to offer. It is not that I am a bad person –do not think such a thing of me. I will repay these drunken bastards when they come to their own senses.” 


 “How am I to be sure you are not a corrupted man? You always hide behind a mask, parading through the streets to find yourself at my tree at midnight. You wear a cape to hide your broad shoulders and shadow your truths. There is much reason to keep away from people like you.” 


 “What?” Malory asks, breaking character as well. 


 “The irony,” I say, shaking my head. “Now I see why you guys like literature and plays so much.” 


Lengths of Trust [4]