Malory and Kyle must participate in the annual April Fest production as the leading co-stars. If they can cooperate by the end of the production, their long records of uncivilized behaviour towards each other will be forgotten. 
Malory and Kyle attempt to cooperate, grabbing the opportunity to make a positive impact on their own future. In the process, they become entangled in the chaos of the other’s personal life. Malory learns of Kyle’s disturbing reality, and Kyle learns of Malory’s scarring past. Can these two brilliant but messy teens learn to rely on each other in the face of their silent battles?

Between The Lines

 “And by God,” I say, “It was on nights most dark, most silent, most lonely and cold, when he came to me. And on those nights, I swear by God, I felt nothing less than entirely myself. I felt entirely whole. He didn’t protect me. He let me protect my spirit.” 


 “And, regretfully, I let her go,” Ron says, “I let her go when I was beginning to love her most.” 


 At this point in the play, both Angus and Valerie are standing on separate sides of the stage –a spotlight shining down on them as they consider and express their feelings for each other to the audience. This happens after Angus finds out she’s the daughter of a Lord. He leaves her with a regretful letter of farewell, fearful that she would reject him when she finds out he’s a bastard son. 


Lengths of Trust [7]