Chapter 70. The Drawing Room

Chapter 70. The Drawing Room

　　Tanaka Takashi's breathing slowed subconsciously, and his heart felt like it was about to jump out in his chest. He couldn't help but wipe his eyes, and his whole body felt cold in his hands and feet.

　　The Muppet he was holding was placed in the Sucha High School activity building beforehand for the show's effect, and they had made it old and old-fashioned through very fine workmanship, and the creepiness was done to the extreme.

　　But compared to the creepy and grim little Muppet on Kitagawaji's shoulder, the 'prop' he was holding in his hand looked a bit funny and ridiculous.

　　Not the props are not scary enough, but the other side of the Muppet seems to really host a soul in general, a glance let people feel all over the body dipped in ice water, the body are chilled.

　　He swallowed and looked over again.

　　Muppet still quietly lying on Kitagawaji's shoulders, as if everything Tanaka Takashi just saw is an illusion.

　　Kitagawaji obviously felt Tanaka Takashi's gaze, he looked to the side of the shoulder lying Nishikujo poor, but unexpectedly did not wrap her into the scarf.

　　As he said earlier, he could let her out for some fresh air in the middle of the night, and as Nishikujo's current parent, Kitagawaji did not want to break his word.

　　After all, parental education is better taught by example.

　　"Don't be too naughty." Kitagawaji did not look back, lowering his voice.

　　Tanaka Takashi's expression tightened: "Kitagawa-chan, who were you just talking to? What were you saying?!"

　　"Didn't say anything, let's go, go to the third floor." Kitagawaji said in a flat tone.

　　Tanaka Takashi saw that he still looked breezy, and the emotions that had been fluctuating a bit were forced down, and he nodded his head and said.

　　"In that case, we'll go to the third floor first, but the right path is blocked by student desks and chairs, it should take some effort to clear it..."

　　"The left stairway can go up to the third floor normally, there is no obstacle." Kitagawaji said in a flat voice.

　　"Is that so? Then I'll call Eisuke over now! You wait here for a moment."

　　Without a word, Tanaka Takashi turned and left.

　　And shortly after he left, a loud crackling sound suddenly came from the left stairwell.

　　Kitagawaji shone his flashlight.

　　Only to see a plastic head from the dark clattering rolled over and stopped at the feet of Kitagawaji.

　　Mannequin.

　　But this mannequin seems a bit strange, his face is very exaggerated expression, grinning at Kitagawaji grimly -

　　Then Kitagawaji directly kicked the mannequin's head out. With a popping sound, the mannequin's head reverted to the darkness.

　　Kitagawaji closed his eyes and continued to wait for Eisuke Yamaguchi and Takashi Tanaka.

　　Hidden in the shadows, Tanaka Takashi and Yamaguchi Eisuke saw this scene and secretly smacked their lips.

　　This Kitagawaji is really a fierce man, what organs can not scare him.

　　If they were walking down an eerie corridor without knowing anything, and suddenly a bizarre mannequin head popped up from the shadows, they would probably be scared stiff.

　　It's almost time to get out.

　　Tanaka Takashi cut the camera feed back out and led Yamaguchi Eisuke out.

　　"Sorry sorry sorry, Eisuke made some discoveries over there, so we're late, I don't think Kitagawa-chan ran into anything weird, right?" Tanaka Takashi asked tentatively while snorting.

　　"Didn't meet anything, it's all just minor things."

　　"... Is that so?" Tanaka Takashi got a bit of an egg on his face.

　　The working group took the trouble to set up here, but in Kitagawaji's mouth it was 'all just trivial'.

　　Looking at Kitagawaji's expression, which did not even raise an eyebrow, not to mention being shocked, the corner of Yamaguchi Eisuke's mouth also twitched.

　　"In that case then let's go to the third floor, hopefully we can find some good harvest."

　　Once the three of them combined

And without the slightest hesitation, they walked directly to the third floor from the left stairway.

　　It is worth mentioning that at the moment of stepping on the stairs of the third floor, a mannequin with a missing head suddenly dangled from above -

　　Then it was shattered by Kitagawaji's kick in the air.

　　Looking at the mannequin that broke into several pieces directly in the air, Tanaka Takashi and Yamaguchi Eisuke's expression was particularly wonderful.

　　If this kick to the human body ...

　　...

　　The first floor is mainly a judo or karate or kendo dojo, while the second floor is mainly composed of arts and culture departments, such as reading and literature departments. On the third floor, there are drawing rooms, music rooms, etc. On the fourth floor are the dance and light music departments.

　　In fact, the third floor is not very different from the second floor, but there is a difference in the division of each classroom.

　　On the third floor, the two classrooms on the left side are connected and are used as drawing rooms, while the three rooms on the right side are used as music rooms.

　　Originally Eisuke Yamaguchi intended to follow the original division of labor, Kitagawaji explore the left, the two of them explore the right, but Kitagawaji reached out his hand and naturally pointed to the right side, indicating that he wanted to go to the right this time.

　　Okay... The fans asked for it, how could they not agree to it?

　　Yamaguchi Eisuke did not bother to deliberately force.

　　The right hand side left hand side actually have organs, but those organs as long as not deliberately touch, is very difficult to trigger, and Kitagawaji kind of look, he is not afraid of the other side will be afraid of this degree of organs.

　　The three separated again for the time being.

　　Kitagawaji waited until Yamaguchi Eisuke and Tanaka Takashi entered the classroom before retracting his gaze, and he poked Nishikujo's poor face and asked.

　　"You say this side hides the remnants of the image you just saw?"

　　Kitagawaji himself is not much sense, but as a spirit, Nishikujo poor as if they have a natural reaction to these things, as long as the 'strange' once remembered, she seems to be able to immediately react, like a small radar.

　　The poor Nishikujo snapped and stood up propping up Kitagawaji's face and stretched out her round little finger towards the drawing room.

　　Does this mean inside the drawing room?

　　Kitagawaji spirit, three steps and two steps, raised his hand and pushed the door and entered.

　　The painting room is quiet, because the windows are sealed by the creeper, a little moonlight can not penetrate.

　　The whole room showed a numbing sense of dead silence, feeling lifeless.

　　From Kitagawaji's point of view, the densely erected easels, which had not yet had time to be removed, looked from a distance as if they were grotesquely distorted human figures.

　　Some of the easels were wrapped in a circle, and a dusty plaster bust was placed in the middle.

　　Kitagawaji replaced a new flashlight and shone it around the room.

　　The front and back of the studio are hung with portraits of Picasso, Da Vinci, Van Gogh and others, the innermost storage cabinets, the floor is also scattered cluttered with clips, drawing boards, paint boards and mixing brushes and other things needed for the studio.

　　Only the paint on it has long since dried up.

　　Kitagawaji stepped into it according to the poor instructions of Nishikujo, bypassed the eerie easel and went straight to the storage cabinet.

　　Here, there seems to be something in existence -