That prescient part of his mind saw her before he knew he was seeing her, and must surely have understood her before he knew he was understanding her — why else did he associate such dour, ominous images with her? Whenever she came into the room he thought of the graven images worshipped by superstitious African tribes in the novels of H. Rider Haggard, and stones, and doom.
The image of Chloe Wilkes as an African idol out of She or King Solomon's Mines was both ludicrous and queerly apt. She was a big woman who, other than the large but unwelconiing swell of her bosom under the gray cardigan sweater she always wore, seemed to have no feminine curves at all — there was no defined roundness of hip or buttock or even calf below the endless succession of wool skirts she wore in the house (she retired to her unseen bedroom to put on jeans before doing her outside chores). Her body was big but not generous. There was a feeling about her of clots and roadblocks rather than welcoming orifices or even open spaces, areas of hiatus.
Most of all she gave him a disturbing sense of solidity, as if she might not have any blood vessels or even internal organs; as if she might be only solid Chloe Wilkes from side to side and top to bottom. He felt more and more convinced that her eyes, which appeared to move, were
actually just painted on, and they moved no more than the eyes of portraits which appear to follow you to wherever you move in the room where they hang. It seemed to him that if he made the first two fingers of his hand into a V and attempted to poke them up her nostrils, they might go less than an eighth of an inch before encountering a solid (if slightly yielding) obstruction; that even her gray cardigan and frumpy house skirts and faded outside-work jeans were part of that solid fibrous unchannelled body. So his feeling that she was like an idol in a perfervid novel was not really surprising at all. Like an idol, she gave only one thing: a feeling of unease deepening steadily toward terror. Like an idol, she took everything else.
No, wait, that wasn't quite fair. She did give something else. She gave him the pills that brought the tide in over the pilings.
The pills were the tide; Chloe Wilkes was the lunar presence which pulled them into his mouth like jetsam on a wave. She brought him two every six hours, first announcing her presence only as a pair of fingers poking into his mouth (and soon enough he learned to suck eagerly at those poking fingers in spite of the bitter taste), later appearing in her cardigan sweater and one of her half-dozen skirts, usually with a paperback copy of one of his novels tucked under her arm. At night she appeared to him in a fuzzy pink robe, her face shiny with some sort of cream (he could have named the main ingredient easily enough even though he had never seen the bottle from which she tipped it; the sheepy smell of the lanolin was strong and proclamatory), shaking him out of his frowzy, dream-thick sleep with the pills nestled in her hand and the poxy moon nestled in the window over one of her solid shoulders.
After awhile — after his alarm had become too great to be ignored — he was able to find out what she was feeding him. It was a pain-killer with a heavy codeine base called Novril. The reason she had to bring him the bedpan so infrequently was not only because he was on a diet consisting entirely of liquids and gelatines (earlier, when he was in the cloud, she had fed him intravenously), but also because Novril had a tendency to cause constipation in patients taking it. Another side- effect, a rather more serious one, was respiratory depression in sensitive patients. Mstar was not particularly sensitive, even though he had been a heavy smoker for nearly eighteen years, but his breathing had stopped nonetheless on at least one occasion (there might have been others, in the haze, that he did not remember). That was the time she gave him mouth-to-mouth. It might have just been one of those things which happened, but he later came to suspect she had nearly killed him with an accidental overdose. She didn't know as much about what she was doing as she believed she did. That was only one of the things about Chloe that scared him.
He discovered three things almost simultaneously, about ten days after having emerged from the dark cloud. The first was that Chloe Wilkes had a great deal of Novril (she had in fact, a great many drugs of all kinds). The second was that he was hooked on Novril. The third was thatchloe Wilkes was dangerously crazy.