Tom Foster and Noah Webster have been together for three years. In that time, Tom has completed his doctorate, Noah has begun working on his master's, and both men have come into their own as performers. Suddenly international recognition becomes a reality instead of a dream. They even perform at the dedication of a concert hall at the University of Aragoni.<br><br>But it's not all smooth sailing. They still have to battle Noah's Uncle Joe over the division of property he owned with Noah's late father. Tom's father has been distant ever since Tom chose music over law school. And Noah's mother's attitude toward his relationship with Tom leaves something to be desired. With their busy performance schedules, will Tom and Noah be able to make peace with their parents and get a fair deal?

The Performers

“Within ten years the men and boys choir was gone. If you look at the church’s website today, there’s no mention of a choir. The clergy are listed, along with someone whose title is ‘song leader’. That city of just under two hundred thousand now has three Anglican churches where there were none in 1970, one of which is large enough to have achieved cathedral status. The high-church folk voted with their feet—and left the Episcopal church to escape the contagion. The retired organist who told me this had substituted there occasionally in the seventies, and he and one of his sons sang in the men and boys choir when he wasn’t serving in another church.


Chapter 74