A TWIST AND TWO BALLS
Eduardo Mancini is going to
be a star of the London stage and screen. Or that was the plan. His alter ego
Eddy March hasn’t got further than the chorus and a bit part in a TV series.
His parents aren’t supportive, his agent can’t place his particular skills, and
he’s finding it hard to hang onto his young dreams. Things go from bad to worse
when he’s late for an important audition, hasn’t got enough to money to pay the
taxi fare, and is chased across the streets of Soho by the irate driver
Eddy reaches what he
believes is sanctuary – “With A Kick”, a store where ice creams are blended
with alcohol and imagination, and where his friends can help him. But Nuri the
taxi driver is persistent in his steady pursuit, above and beyond the money
he’s owed. Despite their very different characters and background, Eddy and
Nuri’s relationship goes from a complete unknown to a wary balancing act. There
are still mistakes to be made, and hurdles to clear. And both of them have to
admit that their life so far hasn’t gone the way they planned. But maybe being
caught by Nuri was just what Eddy needed – both for his job and his heart.
SLAP AND TICKLE
Bryan
Harrison is a successful accountant and a man who admires order and
self-discipline. It’s a startling break from his routine when he literally
bumps into Phiz Bussman outside With A Kick. Phiz’s lifestyle and behaviour are
in complete contrast to Bryan’s, and appear totally chaotic. But they each
recognise something in the other that they need.
Bryanhas been helping With A
Kick with its financial difficulties, and is finding it difficult to balance
his professional persona with friendship with the owners. But then he’s always
found it tricky to expose his more vulnerable feelings. His cool facade hides
loneliness: he believes he’ll never find a lover who accepts and welcomes his
secret desire.
Whereas
Phiz is all about exposure: he’s defined by his cheerful but clumsy liveliness,
his open-hearted emotions, and his physical needs. Despite that, he’s lonely as
well. He craves someone who will help him bring purpose and focus into his
life, and admits freely he needs a firm hand – in every way. If they can both
accept a friendship that’s destined for more, Bryan may be just the man to
provide it.
NICE AND SNOW
Nuri’s expecting a quiet Christmas, driving his cab, doing some studying,
enjoying good food and drink – and devoting some serious loving to boyfriend
Eduardo. Occasionally he misses his homeland of Turkey, but he’s
content to share the London celebrations with Eddy.
But what with Eddy’s distress over his new role at the local comedy club,
interference in their love life from Nuri’s irrepressible brothers, a
disturbing number of costumed Santas on the street, the dangerous slush on the
roads, and then the portly, bearded man dressed in red, in need of an urgent cab
ride… It doesn’t look like things will be that quiet after all!
SMACK HAPPY
Phiz can’t always control his hyperactivity and propensity for chaos. But he no
longer has to feel marginalised because of it, not now he has Bryan for a
friend and lover. Bryan’s calm, ordered attitude is the perfect foil for Phiz:
and Bryan’s private desire for kink is just what Phiz needs to keep him
grounded.
This
Valentine’s Day, Phiz wants to give Bryan a special gift, but Bryan can’t be
tempted away from his work. At least, not until he opens Phiz’s gift and
realises love means… taking time away to play.
ABOUT THE AUTHOR
ABOUT WITH A KICKA TWIST AND
TWO BALLS
A TWIST AND TWO BALLS - 1
There’d been a twenty in his wallet,
he’d swear to it. Hadn’t there?
Eduardo
sat in the back of the London taxi as it idled in the late afternoon traffic,
and scrabbled in his pockets. Maybe the twenty had been there, but a couple of
days ago. He’d been living off the change in his pocket, but where had that
come from, except from when he split the twenty? He lifted out a crumpled five
pound note and counted eighty two pence in change. And—with a desperate and
totally impossible hope—recounted. Quietly, under his breath.
“Having
trouble, sir?” The cabbie’s voice was accented and deep. He didn’t turn his
head, so Eduardo could only see the back of his head, thick dark curls brushing
his strong neck. But good grief, the last thing Eduardo wanted was to catch his
eye!
“Not
at all,” Eduardo said. His voice sounded ridiculously high, and he mentally
cast himself as wayward Prince Hal to the driver’s gruff Falstaff, being led
astray by the bolder and rougher character. And what the hell was he doing,
casting plays he’d never direct, in the middle of a setback such as this? All
his credit cards were currently maxed out, and he knew he didn’t have enough
cash to get him to Shaftesbury Avenue, not in this heavy traffic. A glance at the
meter told him he didn’t even have enough now, at the edge of Chinatown.