“Change is inevitable. It can even sometimes be constructive.”
“A guy I know working on an anecdotal documentary has some phenomenal footage of what’s been lost. He has Woody-fucking-Allen on camera call it ‘the progression of opulence.’”
“And Woody-fucking-Allen solemnly pontificates this from Central Park West,” I say. “Everyone has a different Manhattan. His is all-Gershwin with a Windsor Light Condensed font. Documentarians have agendas.”
Jarod picks up a loaded potato skin. “And look at Harlem, its whole ‘Renaissance.’” He brackets the air. “Nothing but a bunch of new brewpubs. The darker the beer, the whiter the resident.”
Sasha motions to Jarod, who excuses himself, swinging his knapsack over his shoulder.