"The performance wasn't bad."
In the captain's quarters of the Iron Heart, Chu Guang sipped his milk tea while watching the stage play on the holographic screen, a look of interest on his face.
"The acting is on point, and the script is pretty decent."
"But there's just way too much hammering and mothering in the dialogue… Did the locals actually write this thing themselves?"
He had long tired of real-world film and television productions, and the localized works carried over by the players often involved awkward attempts. In comparison, he was more curious about the new variations that the survivors in the Wasteland had come up with on their own.
For instance, Spielberg's "Awakener Bol" caught his eye, and going back even further, there were the "limericks" written by Hal, even including the picture book given to him by the Honey Badger Princess — "The Father and Son with Thick Fur."