Goddess Help Me Simulate Cultivation

# simulator
Bai Yi transmigrated to a fantasy world and awakened the Immortal Cultivation Simulator. The longer he managed to survive in a simulation, the better the rewards he would obtain.
[You were born into a poor family… you died due to hunger.]
[You were born into a rich family that runs a business… you were killed by kidnappers.]
After failing more than 30 times in the Immortal Cultivation Simulator, Bai Yi wondered whether he was unfit for cultivation. Therefore, he had to rely on others to go through the simulation for him!
[Chen Qianxue, the Holy Maiden of the Soul Sword Clan, has entered into the Immortal Cultivation Simulator upon your invitation.]
[Age 0, Chen Qianxue was born into a poor family.]
[Age 5, Chen Qianxue picked up the manuscript of the Sword Cultivation Technique by chance.]
[Age 8, Chen Qianxue was at the first level of the Qi Refinement stage.]
[Age 164, Chen Qianxue failed while attempting to break through to the next stage. She died due to sudden, unbearable power pushing through her meridians.]
[You acquired the following rewards…]
[...]

Goddess Helps Me Simulate Cultivation

"Chen Qianxue should have gone back, right?"

Bai Yi could sense a part of Chen Qianxue's location through the Immortal Cultivation Simulator.

He found that Chen Qianxue was already very far away from Qinghe County.

It was actually a good thing for Bai Yi that she left Qinghe County.

Many of Bai Yi's Cultivation Methods were familiar to Chen Qianxue. These Cultivation Methods came from the rewards of the Immortal Cultivation Simulator.

Under such circumstances... If he used a certain Cultivation Method and Chen Qianxue happened to see him again...

How could he explain it? How could he hide it?

[Age 20, Chen Qianxue refreshed a brand-new newborn talent. This time, she felt that 'Time Reversal' was useless. This was because she had replaced this new talent several times, but it did not trigger its effects. She tried to choose the new talent 'Dragon King'.]

The Holy Maiden as the ‘Audience’