Chapter Four

Later that evening in my diary, I wrote: I was exaggerating when I said I thought you hated the piece. What I meant to say was: I thought you hated me. I was hoping you'd persuade me of the opposite—and you did, for a while. Why won't I believe it tomorrow morning?

So this is who he also is, I said to myself after seeing how he'd flipped from ice to sunshine.

I might as well have asked: Do I flip back and forth in just the same way?

P.S. We are not written for one instrument alone; I am not, neither are you.

I had been perfectly willing to brand him as difficult and unapproachable and have nothing more to do with him. Two words from him, and I had seen my pouting apathy change into I'll play anything for you till you ask me to stop, till it's time for lunch, till the skin on my fingers wears off layer after layer, because I like doing things for you, will do anything for you, just say the word, I liked you from day one, and even when you'll return ice for my renewed offers of friendship, I'll never forget that this conversation occurred between us and that there are easy ways to bring back summer in the snowstorm.

What I forgot to earmark in that promise was that ice and apathy have ways of instantly repealing all truces and resolutions signed in sunnier moments.

Then came that July Sunday afternoon when our house suddenly emptied, and we were the only ones there, and fire tore through my guts—because "fire" was the first and easiest word that came to me later that same evening when I tried to make sense of it in my diary. I'd waited and waited in my room pinioned to my bed in a trancelike state of terror and anticipation. Not a fire of passion, not a ravaging fire, but something paralyzing, like the fire of cluster bombs that suck up the oxygen around them and leave you panting because you've been kicked in the gut and a vacuum has ripped up every living lung tissue and dried your mouth, and you hope nobody speaks, because you can't talk, and you pray no one asks you to move, because your heart is clogged and beats so fast it would sooner spit out shards of glass than let anything else flow through its narrowed chambers. Fire like fear, like panic, like one more minute of this and I'll die if he doesn't knock at my door, but I'd sooner he never knock than knock now. I had learned to leave my French windows ajar, and I'd lie on my bed wearing only my bathing suit, my entire body on fire. Fire like a pleading that says, Please, please, tell me I'm wrong, tell me I've imagined all this, because it can't possibly be true for you as well, and if it's true for you too, then you're the cruelest man alive. This, the afternoon he did finally walk into my room without knocking as if summoned by my prayers and asked how come I wasn't with the others at the beach, and all I could think of saying, though I couldn't bring myself to say it, was, To be with you. To be with you, Andy. With or without my bathing suit. To be with you on my bed. In your bed. Which is my bed during the other months of the year. Do with me what you want. Take me. Just ask if I want to and see the answer you'll get, just don't let me say no.

And tell me I wasn't dreaming that night when I heard a noise outside the landing by my door and suddenly knew that someone was in my room, someone was sitting at the foot of my bed, thinking, thinking, thinking, and finally started moving up toward me and was now lying, not next to me, but on top of me, while I lay on my tummy, and that I liked it so much that, rather than risk doing anything to show I'd been awakened or to let him change his mind and go away, I feigned to be fast asleep, thinking, This is not, cannot, had better not be a dream, because the words that came to me, as I pressed my eyes shut, were, This is like coming home, like coming home after years away among Trojans and Lestrygonians, like coming home to a place where everyone is like you, where people know, they just know—coming home as when everything falls into place and you suddenly realize that for seventeen years all you'd been doing was fiddling with the wrong combination. Which was when I decided to convey without budging, without moving a single muscle in my body, that I'd be willing to yield if you pushed, that I'd already yielded, was yours, all yours, except that you were suddenly gone and though it seemed too true to be a dream, yet I was convinced that all I wanted from that day onward was for you to do the exact same thing you'd done in my sleep.

The next day we were playing doubles, and during a break, as we were drinking Mafalda's lemonades, he put his free arm around me and then gently squeezed his thumb and forefingers into my shoulder in imitation of a friendly hug- massage—the whole thing very chummy-chummy. But I was so spellbound that I wrenched myself free from his touch, because a moment longer and I would have slackened like one of those tiny wooden toys whose gimp-legged body collapses as soon as the mainsprings are touched. Taken aback, he apologized and asked if he had pressed a "nerve or something"—he hadn't meant to hurt me. He must have felt thoroughly mortified if he suspected he had either hurt me or touched me the wrong way. The last thing I wanted was to discourage him. Still, I blurted something like, "It didn't hurt," and would have dropped the matter there. But I sensed that if it wasn't pain that had prompted such a reaction, what other explanation could account for my shrugging him off so brusquely in front of my friends? So I mimicked the face of someone trying very hard, but failing, to smother a grimace of pain.