Chapter Twenty

He must have hit on something, though God knows what. Perhaps he was

trying not to seem taken aback. "What things that matter?" Was he being disingenuous?

"You know what things. By now you of all people should know." Silence.

"Why are you telling me all this?" "Because I thought you should know."

"Because you thought I should know." He repeated my words slowly, trying to take in their full meaning, all the while sorting them out, playing for time by repeating the words. The iron, I knew, was burning hot.

"Because I want you to know," I blurted out. "Because there is no one else I can say it to but you."

There, I had said it.

Was I making any sense?

I was about to interrupt and sidetrack the conversation by saying something about the sea and the weather tomorrow and whether it might be a good idea to sail out to E. as my father kept promising this time every year.

But to his credit he didn't let me loose. "Do you know what you're saying?"

This time I looked out to the sea and, with a vague and weary tone that was my last diversion, my last cover, my last getaway, said, "Yes, I know what I'm saying and you're not mistaking any of it. I'm just not very good at speaking. But you're welcome never to speak to me again."

"Wait. Are you saying what I think you're saying?"

"Ye-es." Now that I had spilled the beans I could take on the laid-back, mildly exasperated air with which a felon, who's surrendered to the police, confesses yet once more to yet one more police officer how he robbed the store.

"Wait for me here, I have to run upstairs and get some papers. Don't go away."

I looked at him with a confiding smile.

"You know very well I'm not going anywhere."

If that's not another admission, then what is? I thought.

As I waited, I took both our bikes and walked them toward the war memorial dedicated to the youth of the town who'd perished in the Battle of the Piave during the First World War. Every small town in Italy has a similar memorial. Two small buses had just stopped nearby and were unloading passengers—older women arriving from the adjoining villages to shop in town. Around the small pizza, the old folk, men mostly, sat on small, rickety, straw-backed chairs or on park benches wearing drab, old, dun-colored suits. I wondered how many people here still remembered the young men they'd lost on the Piave River. You'd have to be at least eighty years old today to have known them. And at least one hundred, if not more, to have been older than they were then. At one hundred, surely you learn to overcome loss and grief—or do they hound you till the bitter end? At one hundred, siblings forget, sons forget, loved ones forget, no one remembers anything, even the most devastated forget to remember. Mothers and fathers have long since died. Does anyone remember?

A thought raced through my mind: Would my descendants know what was spoken on this very piazzetta today? Would anyone? Or would it dissolve into thin air, as I found part of me wishing it would? Would they know how close to the brink their fate stood on this day on this piazzetta? The thought amused me and gave me the necessary distance to face the remainder of this day.

In thirty, forty years, I'll come back here and think back on a conversation I knew I'd never forget, much as I might want to someday. I'd come here with my wife, my children, show them the sights, point to the bay, the local caffès, Le Danzing, the Grand Hotel. Then I'd stand here and ask the statue and the straw- backed chairs and shaky wooden tables to remind me of someone called Andy.

When he returned, the first thing he blurted out was, "That idiot Milani mixed the pages and has to retype the whole thing. So I have nothing to work on this afternoon, which sets me back a whole day."

It was his turn to look for excuses to dodge the subject. I could easily let him off the hook if he wanted. We could talk about the sea, the Piave, or fragments of Heraclitus, such as "Nature loves to hide" or "I went in search of myself." And if not these, there was the trip to E. we'd been discussing for days now. There was also the chamber music ensemble due to arrive any day.

On our way we passed a shop where my mother always ordered flowers. As a child I liked to watch the large storefront window awash in a perpetual curtain of water which came sliding down ever so gently, giving the shop an enchanted, mysterious aura that reminded me of how in many films the screen would blur to announce that a flashback was about to occur.

"I wish I hadn't spoken," I finally said.

I knew as soon as I'd said it that I'd broken the exiguous spell between us. "I'm going to pretend you never did."

Well, that was an approach I'd never expected from a man who was so okay with the world. I'd never heard such a sentence used in our house.

"Does this mean we're on speaking terms—but not really?" He thought about it.

"Look, we can't talk about such things. We really can't." He slung his bag around him and we were off downhill.

Fifteen minutes ago, I was in total agony, every nerve ending, every emotion bruised, trampled, crushed as in Mafalda's mortar, all of it pulverized till you couldn't tell fear from anger from the merest trickle of desire. But at that time there was something to look forward to. Now that we had laid our cards on the table, the secrecy, the shame were gone, but with them so was that dash of unspoken hope that had kept everything alive these weeks.

Only the scenery and the weather could buoy my spirits now. As would the ride together on the empty country road, which was entirely ours at this time of day and where the sun started pounding exposed patches along the route. I told him to follow me, I'd show him a spot most tourists and strangers had never seen.

"If you have time," I added, not wishing to be pushy this time.

"I have time." It was spoken with a noncommittal lilt in his voice, as though he had found the overplayed tact in my words slightly comical. But perhaps this was a small concession to make up for not discussing the matter at hand.

We veered off the main road and headed toward the edge of the cliff.

"This," I said by way of a preface meant to keep his interest alive, "is the spot where Monet came to paint."

Tiny, stunted palm trees and gnarled olive trees studded the copse. Then through the trees, on an incline leading toward the very edge of the cliff, was a knoll partly shaded by tall marine pines. I leaned my bike against one of the trees, he did the same, and I showed him the way up to the berm. "Now take a look," I said, extremely pleased, as if revealing something more eloquent than anything I might say in my favor.