But similarly, due to the wide range and a large number of strings, as well as the requirement to play with both hands simultaneously, it places extremely high demands on the player in terms of fingering and technique.
The girl on stage was evidently an outstanding performer; as the notes flowed fluently from her fingers, it seemed as though she transported the audience into the midst of a battle with clashing armor and steeds—a scene of solitary smoke over desert sands, of heroism and blood-pumping ferocity on the battlefield, powerful and passionate, as if a thousand troops were right before one's eyes.
Her left hand plucked the strings while her fingers on her right hand moved so swiftly it was dizzying.
Bending, sliding, pressing, trembling—each note was so precise that it left the audience astounded!
At this moment, no one would doubt that the traditional konghou could hold its own against the harp in Western music.
The konghou in her embrace seemed to come alive!