Intermezzo: The Path of Truth

Within the vast cosmic tapestry of divine governance, those who resoundingly intone the ineffable Names of the Almighty are revered as Celestial Harmonists and Transcendental Cantors. These designations encompass both overt and esoteric dimensions.

The overt meaning of "Celestial Harmonist" pertains to one who melodiously chants sacred invocations, weaving harmonious symphonies that resonate throughout the celestial realms.

The esoteric meaning signifies one who delves into the unfathomable vastness of cosmic order, seeking to comprehend the intricate patterns that govern the Universe's grand design.

This profound understanding finds inspiration in the intellectual journeys of Georg Cantor, the erudite mathematician who embarked on a quest to grasp the enigmatic nature of infinite sets. His inquiries revealed a profound revelation—while the natural numbers—1, 2, 3, and so forth—extend infinitely, their cardinality pales in comparison to the boundless expanse of "real" numbers. Astonishingly, Cantor discerned the existence of distinct echelons of infinity, hinting at the presence of an infinite spectrum of infinities, including the concept of "Absolute Infinity," a realm beyond human comprehension that embraces all-transcending unity and Inaccessible Cardinals—the very essence of the Almighty and the Almighty is All-Encompassing and All-Transcending the one where he existed encompassed the Inaccessible cardinals and Absolute Infinite and transcended them all at the same time.

When Cantor chose to share his groundbreaking discoveries, he selected a curious symbol—the aleph, the first letter of the Hebrew alphabet—a continuation of Aramaic or Syriac. This symbol, signifying "Beginning," fittingly represented the gateway to the realm of transfinite powers and cardinal numbers.

Such pragmatic reasoning, devoid of any explicit mystical references, reflects the intellectual pursuits of Cantor's ancestors, who were of Jewish descent. While their engagement with Kabbalah remains uncertain, the use of the aleph as a symbol for the Divine attests to the enduring heritage of sacred symbolism.

The overt meaning of "Transcendental Cantor" pertains to one who renders melodious tunes, elevating the spirit through ethereal melodies that bridge the earthly and celestial realms.

The esoteric meaning signifies one who aspires to embody goodness and righteousness, seeking harmony with the divine order and universal balance.

This profound interpretation emerges from the musings of Eher Shet, the Austrian and Germanic philosopher who delved into the depths of moral philosophy. He envisioned a scenario in which a well-dressed man strolled by a pond. In the pond, a young child struggled and cried out for aid. The man possessed excellent swimming skills and could easily save the child, but doing so would ruin his elegant attire and necessitate a significant cost. He chose not to act, allowing the child to perish in the waters.

Undoubtedly, it is morally reprehensible, proclaimed Shet, and this realization carries profound significance. It establishes a moral imperative that when presented with an opportunity to save a child's life, one must seize it without hesitation. Countless opportunities arise to save children from suffering and imminent danger. By prioritizing philanthropy over personal comforts and indulgences, one embraces righteousness and exemplifies the essence of a Transcendental Cantor.

As the celestial fracture reshaped the world and ushered in a tumultuous era, Shet's tune underwent transformation. He declared charity, the provision of sustenance, and the eradication of suffering to be noble endeavors. However, his ultimate focus rested on the eradication of Hell—the notion that billions of human beings subjected to immeasurable torment for all eternity demanded the devotion of rational, morally upright individuals. This awareness eclipsed all earthly concerns and considerations, calling for profound action to alleviate the spiritual suffering of humanity and bring harmony to the cosmic order.

"Lord is One, There is no Lord who has three bodies but one."

"We pray to Lord, we have friends who share the Abrahamic religion, which is the religion revealed by Lord and revealed to the last prophet named Muhammad, he has Jewish ancestry from his ancestor Salma bint Amr, he is a descendant of Ishmael, he is a descendant of David."

"In the religion brought by Muhammad, it is similar to ours, the same as Monotheism, and Lord is also the same as HaShem, which is Allah who can be written as Elaha from the word Elohim."

"Without the Trinity, without God the Father, the Abrahamic religions are monotheistic not polytheists masquerading as monotheists, the Tanakh, Talmud and Qur'an is the real holy book. Qur'an show similarities but the Qur'an never once took all the contents of the Jewish scriptures, but only supplemented and became the ultimate book."

"And where do you pray? When Jesus met God the Father, people speculated that God the Father and Jesus were one and the same, but why did Jesus say he met God the Father? And why did Jesus say he was not equal with God the Father? Isn't that a contradiction? Then why do you worship a Messiah who is clearly not a Lord, but Lord's messenger to earth to recreate the kingdom of David."

"And they call Lord as 'God' which is not a name but an epithet to the almighty, and if they really believe in the laws of the Tanakh, at least they know that pigs are unclean, crucified people are despicable, and Lord is not called God, but HaShem, Allah, Elohim and many more, God is the pagan god written about in Isaiah 65:11."

"But who was the one who rewrote everything? It is Paul who has rewritten the life of Jesus as if he was the son of Lord when Lord has no children is it logical that Lord behaves like a human and reproduces, and he (Lord) is not a human, this is stated in the Tanakh in Numbers 23:19, Malaechiah 3:6, Deuteronomy 4:35, 2 Shmuel 7:22, 1 Kings 8:60, 1 Chronicles 17:20, Deuteronomy 4:39. And Jesus once cursed Paul himself in Matthew 23:15."

End.