Chapter 69

KONYA, DECEMBER 1247

Bursting into tears, she kept begging me to help, her face swollen, her chest heaving harder and faster, until I finally told her I would lend a hand. Even as I comforted her, deep inside I knew it was hopeless, I knew I should never have yielded to her demands. Still, I wonder how could I not have seen this tragedy coming? Torn with guilt, I keep asking myself again and again, how could I have been so naïve and not seen that things would take such a terrible turn?

But the day she came to me crying for help, there was no way I could turn her down.

"Teach me, please," she begged me, her hands demurely folded in her lap, like the good girl she was raised to be. Hers was a voice that no longer had a reason to hope yet was hopeful all the same.

What harm could there be in this? I thought as my heart lurched in compassion. It was her husband she wanted to seduce, for God's sake. Not a stranger! She had only one motive: love. How could this lead to anything incorrect? Her passion might be too strong, but it was halal, wasn't it? A halal passion!

Something inside me sensed a trap, but since it was God who set it, I saw no harm in walking right in. This is how I decided to help Kimya, this village girl whose only notion of beauty was applying henna to her hands.

I taught her how to make herself more attractive and good-looking. She was an avid student, eager to learn. I showed her how to take long perfumed baths, soften her skin with scented oils and ointments, and apply masks of milk and honey. I gave her amber beads to braid in her hair so that her head would have a sweet, lasting smell. Lavender, chamomile, rosemary, thyme, lily, marjoram, and olive oil—I told her how to apply each and which incenses to burn at night. Then I showed her how to whiten her teeth, paint her nails and toes with henna, apply kohl on her eyes and eyebrows, redden her lips and cheeks, how to make her hair look lush and silky and her breasts bigger and rounder. Together we went to a store in the bazaar I knew too well from the past. There we bought her silk robes and silk undergarments, the likes of which she had never seen or touched before.

Then I taught her how to dance in front of a man, how to use this body God had given her. After two weeks of preparation, she was ready.

That afternoon I prepared Kimya for Shams of Tabriz, the way a shepherd prepares a sacrificial lamb. First she took a warm bath, scrubbing her skin with soapy cloths and anointing her hair with oils. Then I helped her to get dressed in clothes that a woman could wear only for her husband, and even for him only once or twice in a lifetime. I had chosen a cherry-colored sheath and a pink robe gilded with hyacinths, of the sort that would reveal the shape of her breasts. Lastly we applied lots and lots of paint on her face. With a string of pearls across her forehead added as a final touch, she looked so pretty that I couldn't take my eyes off her.

When we were done, Kimya didn't look like an inexperienced, timid girl anymore, but a woman burning with love and passion. A woman ready to make a bold move for the man she loved and, if necessary, to pay a price. As I stood inspecting her, I remembered the verse of Joseph and Zuleikha in the Holy Qur'an.

Just like Kimya, Zuleikha, too, had been consumed by a desire for a man who did not respond to her overtures. When the ladies in the city had maliciously gossiped about her, Zuleikha had invited them all to a banquet. She gave each of them a knife: and she said (to Joseph), "Come out before them." When they saw him, they did extol him, and (in their amazement) cut their hands: they said, "God preserve

us! No mortal is this! This is none other than a noble angel."

Who could blame Zuleikha for desiring Joseph so much?

"How do I look?" Kimya asked anxiously before she put on her veil, ready to step out the door and onto the street.

"You look exquisite," I said. "Your husband will not only make love to you tonight, he'll come back tomorrow asking for more."

Kimya blushed so hard her cheeks turned rosy red. I laughed, and after a brief pause she joined me, her laughter warming me like sunshine.

I meant what I'd said, as I felt confident that she would be able to attract Shams, the way a flower rich with nectar attracts a bee. And yet when our eyes met just before she opened the door, I saw that a trace of doubt had crept into her gaze. Suddenly I had a bad feeling in the pit of my stomach, almost a premonition that something terrible was going to happen.

But I didn't stop her. I should have known better. I should have seen it coming. For as long as I live, I will never forgive myself.

Kimya

KONYA, DECEMBER 1247

Bold, boisterous, and intelligent, Shams of Tabriz knows a great deal about love. But there is one thing he doesn't know anything about: the pain of unrequited love.

The evening Desert Rose dressed me, I was full of excitement and an audacity I didn't know I had in me. The soft rustle of the silk dress against my body, the scent of my perfume, the taste of rose petals on my tongue—it all made me feel awkward, but also unusually brave. Back at home I caught my reflection on a pane of glass. My body was neither rotund nor milky, and my bosom not as ample as I would have liked, but I still thought I looked pretty.

I waited until I was sure everyone in the house had gone to sleep. Then I wrapped myself in a long, thick shawl and tiptoed to Shams's room.

"Kimya, I wasn't expecting you," he said as soon as he opened his door.

"I had to see you," I said and stepped inside without waiting for him to invite me in. "Could you please close the door?"

Shams looked puzzled, but he did as told.

When we were alone in the room, it took me a few seconds to muster my courage. I turned my back to him, took a deep breath, and then, in one quick move, removed my shawl and slid my robe off. Almost instantly I felt the weight of my husband's surprised eyes on my back, from my neck down to my feet. Wherever his gaze touched felt warm. But that warmth, whether it was real or imagined in my excitement, was quickly replaced by the coldness of the silence that descended upon the room. My chest rising and falling with apprehension, I stood in front of Shams as naked and inviting as the houris in paradise are said to be.

In the pregnant silence, we stood listening to the wind outside, howling, raging, and wailing through the city.

"What do you think you are doing?" he asked coldly.

It was quite an effort to find my voice, but I managed to say, "I want you."

Shams of Tabriz walked a half circle around me and stood right in front of me, forcing me to look him

in the eye. My knees buckled beneath me, but I didn't budge. Instead I took a step toward him and pressed my body against his, squirming ever so slightly, offering him my warmth, the way Desert Rose had taught me. I caressed his chest and whispered soft words of love. I drank in his fragrance as I moved my fingers up and down his muscular back.

As if he had touched a burning stove, Shams jerked away. "You think you want me, you think you do, but all you want is to pamper your bruised ego."

I put my arms around his neck and kissed him, ever so hard. I pushed my tongue into his mouth and began flicking it back and forth, as I remembered what Desert Rose had told me: "Men love to suck their wives' tongues, Kimya. They all do."

His lips tasted like blackberries, sweet and sour, but just as quickly as I thought a swirl of pleasure pulled us together, Shams stopped me and pushed me away.

"I am disappointed in you, Kimya," Shams said. "Now, could you please get out of my room?"

As harsh as his words sounded, not a trace of feeling grazed his face. No anger. Not even the slightest irritation. And I couldn't tell which hurt me the most: the sharpness of his words or the blankness on his face.

I had never felt so humiliated in my life. I bent down to take my robe, but my hands were trembling so hard I couldn't hold the slippery, delicate fabric. Instead I grabbed my shawl and wrapped it around myself. Sobbing, gasping, and still half naked, I ran out of the room and away from him, away from this love that I now understood existed only in my imagination.

I never saw Shams again. After that day I never left my room. I spent all my time lying on my bed, lacking not so much the energy as the will to go out. A week passed, then another, and then I stopped counting the days. All strength was drained from my body, ebbing away bit by bit. Only my palms felt alive. They remembered the feel of Shams's hands and the warmth of his skin.

I never knew that death had a smell. A strong odor, like pickled ginger and broken pine needles, pungent and bitter, but not necessarily bad. I came to know it only when it started to waft around my room, enveloping me like thick, wet fog. I started running a high fever, slipping into delirium. People came to see me. Neighbors and friends. Kerra waited by one side of my bed, her eyes swollen, her face ashen. Gevher stood on the other side, smiling her soft, dimpled smile.

"Goddamn that heretic," said Safiya. "This poor girl has fallen sick of heartbreak. All because of him!" I tried to force a sound, but it didn't make it past my throat.

"How can you say such things? Is he God?" Kerra said, trying to help. "How can you attribute such

powers to a mortal man?"

But they didn't listen to Kerra, and I was in no state to convince anyone of anything. In any case, I soon

realized that whatever I said or didn't say, the outcome would be much the same. People who didn't like Shams had found another reason in my illness to hate him, whereas I could not dislike him even if I wanted to.

Before long I drifted into a state of nothingness, where all colors melted into white and all sounds dissolved into a perpetual drone. I could not distinguish people's faces anymore and could not hear spoken words beyond a distant hum in the background.

I don't know if Shams of Tabriz ever came to my room to see me. Perhaps he never did. Perhaps he wanted to see me but the women in the room would not let him in. Or perhaps he did come after all, and sat by my bed, played me the ney for hours, held my hand, and prayed for my soul. I'd like to believe that.

Nonetheless, one way or the other, it didn't matter anymore. I was neither angry nor cross with him. How could I be, when I was flowing in a stream of pure awareness?

There was so much kindness and compassion in God and an explanation for everything. A perfect system of love behind it all. Ten days after I visited Shams's room clad in silk and perfumed tulles, ten days after I fell ill, I plunged into a river of pure nonexistence. There I swam to my heart's content, finally sensing that this must be what the deepest reading of the Qur'an feels like—a drop in infinity!

And it was flowing waters that carried me from life to death.

Ella

BOSTON, JULY 3, 2008

Boston had never been this colorful and vibrant, Ella thought. Had she been blind to the city's beauty all this time? Aziz spent five days in Boston. Every day Ella drove from Northampton to Boston to see him. They had tasty, modest lunches in Little Italy, visited the Museum of Fine Arts, took long walks on Boston Common and the Waterfront, watched the whales in the aquarium, and had coffee after coffee in the busy, small cafés of Harvard Square. They talked endlessly on subjects as diverse as the curiosities of local cuisines, different meditation techniques, aboriginal art, gothic novels, bird-watching, gardening, growing perfect tomatoes, and the interpretation of dreams, constantly interrupting and completing each other's sentences. Ella didn't remember ever talking so much with anyone.

When they were outside on the street, they took care not to touch each other, but that proved to get increasingly difficult. Small peccadilloes became exciting, and Ella started looking forward to a brush of their hands. Goaded by a strange courage she never knew she had in her, in restaurants and on the streets Ella held Aziz's hand, kissed his lips. Not only did she not mind being seen, it felt as if a part of her longed to be seen. Several times they returned to the hotel together, and on each occasion they came very close to making love, but they never did.

The morning of the day Aziz was going to fly back to Amsterdam, they were in his room, his suitcase standing between them like a nasty reminder of the parting to come.

"There's something I need to tell you," Ella said. "I've been thinking about this for too long."

Aziz raised one eyebrow, acknowledging the sudden shift in Ella's tone. Then he said carefully, "There's something I need to tell you, too."

"Okay, you go first."

"No, you go first."

Still smiling her half smile, Ella lowered her gaze, contemplating what to say and how to say it. Finally

she started. "Before you came to Boston, David and I went out one evening and had a long talk. He asked me about you. Apparently he read our e-mails without my knowledge. I was incredibly angry at him for that, but I didn't deny the truth. About us, I mean."

Now Ella raised her eyes with apprehension to see how Aziz would react to what she was about to reveal. "To make a long story short, I told my husband that I loved another man."

Outside on the street, the sirens of several fire trucks broke the usual sounds of the city. Ella was distracted momentarily, but then she was able to finish. "It sounds crazy, I know, but I've been thinking this over very carefully. I want to come with you to Amsterdam."

Aziz walked to the window and looked down at the hurrying and bustle outside. There was smoke coming out of one of the buildings in the distance—a thick black cloud hovering in the air. He silently prayed for the people who lived there. When he started to speak, it sounded as if he were addressing the entire city.

"I would love to take you to Amsterdam with me, but I cannot promise you a future there."

"What do you mean?" Ella asked nervously.

At this, Aziz walked back, sat by her side, put his hand on hers, and as he caressed it absentmindedly,

said, "When you first wrote to me, it happened to be a very strange time in my life."

"You mean there is someone else in your life ...?"

"No, sweetheart, no." Aziz smiled a little, and then the smile faded. "It's nothing like that. I once wrote

to you about the three stages in my life, remember? Those were the first three letters in the word 'Sufi.' You never asked me about the fourth stage, and hard as I tried, I couldn't bring myself to tell you. My encounter with the letter i. Would you like to listen to it now?"

"Yes," Ella said, although she feared anything and everything that could disrupt this moment. "Yes, I would."

In a hotel room on that day in July, a few hours prior to his flight back to Amsterdam, Aziz told Ella how he had become a Sufi in 1977, adopting a new name for himself and also, as he had hoped, a new destiny. Ever since then he had traveled the world as a photographer by profession, a wandering dervish at heart. He had made close friends on six continents, people who saw him as part of their family. Though he hadn't married again, he had become the foster father of two orphans in Eastern Europe. Never taking off the necklace in the shape of the sun that he wore to remind him of Shams of Tabriz, Aziz had lived life by traveling, reading, and teaching in the footsteps of Sufi dervishes, encountering signs of God everywhere and in everything.

Then, two years ago, he learned about his sickness.

It started with a lump in his armpit, which apparently he was late to notice. The lump turned out to be a malignant melanoma, a fatal form of skin cancer. The doctors said it didn't look good, but they had to run several tests before giving him a more definite diagnosis. A week later they returned with bad news: The melanoma had spread to his internal organs and invaded his lungs.

At the time he was fifty-two. He was told he would not make it past fifty-five.

Ella moved her lips to say something, but the words did not come out and her mouth felt bone dry. Two tears rolled down her cheeks, which she quickly wiped off.

Aziz kept speaking, his tone firm and urgent. He said thus commenced a new, and in some ways a more productive, phase in his life. There were still places he wanted to see, and the first thing he did was find a way to get to them all. He established a Sufi foundation in Amsterdam with worldwide connections. As an amateur ney player, he gave concerts with Sufi musicians in Indonesia, Pakistan, and Egypt and even made an album with a group of Jewish and Muslim mystics in Córdoba, Spain. He went back to Morocco and visited the lodge where he had met real Sufis for the first time in his life. Master Sameed was long dead, and Aziz prayed and meditated by his grave, contemplating on the trajectory his life had followed.

"Then I retreated to write the novel I had always wanted to write but, in my laziness or lack of courage, had postponed endlessly," said Aziz with a wink. "You know, it was one of those things I had wanted to do for a long time. I named the book Sweet Blasphemy and sent it to a literary agency in America, not expecting much and at the same time feeling open to all possibilities. A week later I received an intriguing e-mail from a mystery woman in Boston."

Ella couldn't help but smile. A weak smile of respectful compassion, tender and pained.

Aziz said ever since that moment nothing had been the same. From a man getting ready to die, he had turned into a man falling in love at a most unexpected time. Suddenly all the pieces that he thought he'd long ago put into place had to be moved. Spirituality, life, family, mortality, faith, and love—he found himself rethinking their meanings again and not wanting to die.

This new and final stage of his life he called his encounter with the letter i in the word "Sufi." And he said so far this stage had proved to be much more difficult than all the earlier ones, because it had come at a time when he thought he'd worked through most, if not all, of his inner conflicts, a time when he thought he was spiritually mature and fulfilled.

"In Sufism you learn how to die before death. I have gone through each of those stages, step by step. Then, just when I start to think I've got it all neatly sorted, here comes this woman out of nowhere. She

writes to me, and I write back. After each e-mail I start waiting for her answer with bated breath. Words become more precious than ever. The whole world turns into a blank screen, waiting to be written upon. And I realize I want to get to know this person. I need more time with her. Suddenly my life is not enough anymore. I realize I am scared of death, and one part of me is ready to rebel against the God I have revered and submitted to."

"But we will have time.... " Ella said when she found her voice.

"My doctors tell me I have sixteen months," Aziz said, lightly but firmly. "They might be wrong. Or they might be right. I cannot know. You see, Ella, all I can give you is the present moment. That is all I have. But the truth is, no one has more than that. It is just that we like to pretend we do."

Ella peered down at her feet, leaning sideways, as if part of her were about to fall down and part of her resisted. She started to cry.

"Don't, please. I wanted you to come with me to Amsterdam more than anything. I wanted to say, 'Let's travel the world together. Let's see distant lands, get to know other people and admire God's composition together.' "

"That would be nice," Ella said sniffing, like a child offered some bright-colored toy in the midst of her wailing.

Aziz's face darkened. He looked away from her toward the window.

"But I was afraid to ask you. I was even afraid to touch you, let alone make love. How could I ask you to be with me and abandon your family when I had no future to offer you?"

Cringing at his question, Ella said, "Why are we being so pessimistic? You can fight this illness. You can do it for me. For us."

"Why do we have to fight everything?" Aziz wanted to know. "We're always talking about fighting inflation, fighting AIDS, fighting cancer, fighting corruption, fighting terrorism, even fighting extra pounds. ... Don't we have any other way of dealing with things?"

"I'm not a Sufi," Ella croaked impatiently, her voice sounding like the voice of someone else, someone older.

At that moment many thoughts crossed her mind: the death of her father, the pain of losing a loved one to suicide, the years and years of resentment and regret that followed, sifting through every little bit of memory of the one who is dead, wondering if things could have been any different had those details been shuffled differently somewhere.

"I know you're not a Sufi." Aziz smiled. "And you don't have to be one. Just be Rumi. That's all I'm asking of you."

"What do you mean?" she asked.

"Some time ago you asked me if I was Shams, remember? You said I reminded you of him. As happy as I was to hear that, I cannot be Shams. I think he was way beyond and above me. But you can be Rumi. If you let love take hold of you and change you, at first through its presence, then through its absence—"

"I'm not a poet," Ella said this time.

"Rumi wasn't a poet either. But he was transformed into one."

"Don't you get it? I'm just a housewife, for God's sake, a mother of three," Ella exclaimed, breathing in

huge gulps.

"We're all what we are," murmured Aziz. "And we're all subject to change. It is a journey from here to

there. You can make that journey. And if you are brave enough and if I am brave enough, we can go to Konya together in the end. That is where I want to die."

Ella gasped. "Stop talking like that!"

Aziz watched her for a moment, and then his eyes dropped. There was a new expression on his face now, a distance in his tone, as if he were swiftly drifting away, like a dry leaf at the mercy of the wind.

"Or else," he said slowly, "go home, Ella. Go back to your children and your house. You decide, love.

Whatever you choose, I will respect your decision and I will love you till the end."