Chapter 22: A Madman's Dream Investor

Hollywood directors are not always solely focused on filmmaking. Encountering a troublesome director in a project like "The Purge" could be a nightmare. Michael Davenport was acutely aware of this, which is why he had been cautious in his selection process.

Securing James Wong's project was a strategic move. Even if Wong saw some questionable aspects, he would likely turn a blind eye. Moreover, the project had immense potential.

Michael had seen every installment of the "Final Destination" series, from the first to the fifth. James Wong was the director of the first film in the series, and Glen Morgan was likely the main screenwriter he mentioned.

"Do you and your friend share the rights to this script?" Michael inquired. "Can you speak on his behalf?"

"Yes, I can. Bringing this story to the big screen is our biggest dream," James Wong affirmed.

Michael reminded, "What about your agent?"

Though agents are generally smooth negotiators, strong opposition from them could complicate things.

"I'll convince Edward," James replied quickly. "The rights are with me and Glen."

Michael played it cool, as if agreeing to invest in Wong's project was a significant burden. He shook hands with James Wong. "I hope we can formalize this agreement soon," he said, intentionally diverting Wong's attention. "We urgently need a director for 'The Purge.'"

James Wong gripped Michael's hand firmly. "We will finalize the agreement."

If Michael hadn't been so keen on him as the director, Wong wouldn't have dared to impose such additional terms.

Michael wasn't too worried about the agent's reaction. Wong's desire to direct his own script was strong, and he was likely to dismiss anyone who stood in his way.

Hollywood's industry and agent unions have agreements. Registered members must secure jobs through agents. However, regulations often diverge from reality.

Technically, agents must be certified, but a rising group of managers, often without legal licenses, negotiate jobs for their clients.

Michael knew that Edward and Wong had signed a one-year contract. Breaking it wouldn't be difficult, especially since Hollywood's penalty fees for terminating an agent's contract aren't substantial. Clients can automatically terminate contracts if agents fail to provide sufficient work opportunities for three consecutive months.

As Michael walked Wong and Edward out, a man in a suit entered the office.

"Hi, Michael," the man greeted.

"Good morning, Salih," Michael responded with a smile.

Salih Zayed, the loyal ally from Abu Dhabi, had arrived.

James Wong noticed the distinctly Arab features of the newcomer and nodded. With a Middle Eastern oil magnate's backing, Sahara Entertainment's funding was assured.

"Salih, let me introduce you to some friends," Michael said.

After introductions, Salih shook hands with Wong and Edward, visibly pleased. Michael emphasized their shared project: "This is James Wong, who will likely direct our film, 'The Purge.'"

Salih, delighted to hear "our film," shook hands warmly. Michael continued, "This is Mr. Edward, James Wong's agent."

Then he added, "Salih Zayed, a prince from the Emirate of Abu Dhabi."

Wong and Edward exchanged glances, realizing the significance of such high-level support.

After a brief chat, Wong and Edward took their leave. Michael and Salih returned to the office.

"Is everything going smoothly?" Salih asked. "You've already secured a director."

Michael poured a fresh cup of water for Salih. "We've only reached a verbal agreement. We still need to finalize the contract."

"Filmmaking is more complex than I thought," Salih sighed.

"This is just the beginning," Michael said honestly. "Robert is scouting locations, and we haven't started equipment rental or casting yet. Things will speed up once the director is on board."

Salih nodded. "Let the professionals handle it. I've learned a lot from this experience." Then he asked, "Is the director also a minority?"

"He's of Chinese descent," Michael explained. "For a film like this, a minority director is more appropriate. They better understand the characters' situations and can create the content we need."

Salih admired Michael's reasoning. "You're right! Hollywood needs more people with your perspective."

Michael maintained his white-left stance. "Every ethnicity and group is equal."

"Indeed," Salih agreed. "I've always said that professionals should handle professional matters. But some idiots back in Abu Dhabi want to meddle in the investments."

Michael's eye twitched slightly. "I can't accept interference from non-professionals."

During his trip to Abu Dhabi, Michael had learned that while Abu Dhabi had a mature screening industry, its film production sector was just beginning.

Salih, who kept close contact with Michael, reassured him. "I'm heading back to Abu Dhabi next week. I'll make sure those idiots stay quiet."

Michael felt relieved. His efforts in cultivating this relationship with Salih were paying off.

"Are you getting promoted?" he asked. "Congratulations!"

Salih laughed, genuinely happy. "I actually came to thank you. Without your visit to Abu Dhabi, I wouldn't have been promoted so quickly."

Michael remained humble. "Don't mention it. Salih, you've helped me a lot."

Salih appreciated Michael's sincerity. "I wish I could see 'The Purge' soon."

Michael smiled. "I'll send you a copy as soon as it's ready."

"Great!" Salih was thrilled. "It's a deal."

"If you need any help, call me or come to Abu Dhabi," Salih added.

Michael responded like an old friend. "I will."

Salih, still in high spirits, said, "Especially if you need film financing. Remember me; it'll be a credit to my work."

Michael reassured him, "I won't forget you."

…

Meanwhile, in a car just leaving the parking lot of Sahara Entertainment.

"Michael Davenport agreed to invest in your script?" Edward asked, speeding up.

James Wong nodded. "Yes, he did."

Edward couldn't believe it. "Is this guy crazy?"

James Wong glanced at him, and Edward fell silent. The outcome was unexpected.

Initially, Edward had secured the "Scary Movie" project for Wong, but Wong's binding plan jeopardized that. Landing the meeting with Michael Davenport was a stroke of luck, and Wong's conditions seemed risky.

If it weren't for their nearly expired one-year contract and lack of other promising clients, Edward might have resisted more.

Now it seemed a madman had found his perfect investor.

"Can this project succeed?" Edward wondered aloud. He had read the script; its core was distinctly Eastern. Could Eastern horror sell in America?

Michael Davenport must be desperate, Edward thought. After all, he was known in the industry as a spendthrift.

Edward remembered the Arab man. Maybe Davenport didn't mind spending someone else's money. A risky script, a director with a singular vision, and a naive investor—this project might be doomed.

But for now, Edward focused on the immediate gains. Signing Wong and Morgan would bring substantial commissions.

"Just get me the recommendations and the votes!"