Hybrids where once nonexistent.
That is, a person made of different species.

Hundreds of Millions, billions and trillions of years have passed and no Hybrid. 

At least, not up until 10 millenia ago have gone by - in the version of this planet - and a baby is bathed in the blood of its mother it ate its way out of; Tia Nobunaga is the Union of a Gnome and an Elf.

Created Artificially, Tia Nobunaga's owes her existence to the genius intellect of Kazu Nini who is a Pixie and her creator. 

So, as she is the first successful union of different races which means that slavery is of no use anymore because creatures can be produced for menial labour and it also means that allied and enemies will be created because of the demand and supply factors surrounding the creation and productions of Artificial Hybrids. Her birth also not only heralds that miracles are possible but it also gives birth to new creative possibilities in what paths that species evolution might hold and lessens the tensions between the Human Continent, the Underdeep and the Beast Continent. 

This creator, however, has many enemies who are nobles - the high and pompous bloodlines passed down from time immemorial. Meaning that, Tia Nobunaga already has opposition before she was born. Thus, not only will trouble look for her because of who she is, but there will be issues of innocence, ignorance and her deciding of which side to end up in.

Join Kazu Nini's story to see what wonders her 1st Artificial Hybrid can cause and also...
...was Tia Nobunaga successful in being created because this was not her 1st life?...
...Plus, if this was not her first life, what was so important that she now lives a 2nd one?...
Kazu Nini - her creator - is a Pixie who nobles come to hate. And nobles are people who every commoner comes to hate.

But how does a Pixie girl who began cultivation at the late age of 17 battle against forces that are as old as her ancestors and founding fathers of her race?

Nightmare Of Flesh - The 1st Artificial Hybrid

One claim for dominance birthed chaotic streams of dust that half danced about itself in concentration or half loosely in the DamageRoom. 


And the other disputed the draconic creatures’ dominance in layers of different voices that sounded like strange music. 


Seemingly unhurt by the waves of dust that seemed to make only cracking sounds on his skin whenever they came close where it should have drawn muscle deep injury instead, Rashta Micko was able to crouch and build his jump that distorted the currents of dust which were supposed to be dancing about randomly while they sporadically reached at him to violently rub at him in their deceptively, thoroughly tender caresses. 


Prologue 28 (Part 3) Iisimaila Fginja and Rashta Micko (4), Fairy and Ghoul.