The town of Bleakhaven had no music. No laughter. No birdsong. Only wind that whispered through dead trees and the tolling of a cracked bell at dusk. Its people spoke in hushed tones, their eyes sunken, their steps slow.
They were waiting.
Evelyn Blackmoor arrived on the eve of the lunar eclipse, following tales of a cursed melody—a funeral song so sorrowful, it could raise the dead. It was said to echo once a decade from the crypt beneath Bleakhaven’s ruined cathedral.
The locals called it The Elegy for the Damned.
They begged her not to go.
She went anyway.
The cathedral was a skeleton of its former glory—its roof half-collapsed, pews broken, and stained glass turned to razor-sharp mosaics. Beneath the altar, a spiral staircase led into the earth, into the Weeping Crypts.
The air grew colder with each step, thick with moisture and the scent of dust-covered bone.
At the final landing, the silence shattered.
A single violin note hung in the air.
It wept.