Jingjing felt the warm atmosphere in the painting, and Wang Xiaoqiang's understanding of the painting improved a bit more. Then, his gaze shifted to a nearby portrait of a Western figure. To be honest, the atmosphere in this Western portrait was also warm, but the warmth of this painting was entirely reflected in the facial expressions of the figures. In terms of the level of painting, it was definitely higher than that of the pastoral painting. Compared to himself, it could be considered intermediate.