Chapter 156 Past Life and Destiny Stage

  Chapter 155

  In the painting space, Rosen used the golden beach as the background for the painting.

  Rosen was lying on a beach chair, facing him was Delia, who had a very complicated expression.

  The deadly threat of her spirituality being forcibly extracted from her soul caused Delia to instinctively stop playing the role.

  The memories and self that were sealed before entering the play all quickly return to oneself the moment of exiting the play.

  But the extra spirituality in her was the false love she acted out for Rosen, which only existed when she was getting into the role. This false love had penetrated every inch of her spirituality, so that she hated Rosen to the core and loved him madly at the same time.

  As if she was suffering from schizophrenia, Delia felt that her spirituality was forced to split into two.

  Finally, Delia, who was full of hatred, was imprisoned in the painting, and Delia, who loved Rosen deeply, walked out of the painting.

  "Tell me about your origins. Who are you?"

  Rosen stepped forward and asked.

  "I am really Delia, the Delia you know is fake..."

  Delia said guiltily.

  Rosen talked to Delia for a long time before he figured out what was going on.

  It turns out that Delia was an actor in her previous life. Delia's biological father, Vittore, is the younger brother of the current king of the Dungeon Kingdom. Although he did not inherit the throne, he inherited the non-hereditary title of earl when he was born.

  Vittore is very talented, even reaching Sequence 3 earlier than his brother who inherited the throne.

  Vittore once had a beautiful love, and eventually had Delia, the fruit of their love.

  Delia's mother is a wizard who is very interested in the demon sealed in the dungeon kingdom.

  However, she underestimated the power of the demon. As she researched too deeply, she was bewitched by the demon and drank his blood.

  Delia's birth took her mother's life. She herself was weak and sickly since childhood because she could not withstand the power of the demon. She lived to the age of fifteen and was about to lose her life because she could not withstand the backlash of the demon's power.

  Vittore had already lost his wife and he didn't want to lose his beloved daughter.

  So he used a very rare and powerful skill in the actor sequence to extract Delia's spirituality and soul, and then injected them into the body of Delia's mother in this life, and finally lived a second life relying on the miracle of life.

  However, the horror of the demon bloodline is beyond imagination, and it would be difficult for Delia to live a healthy life even if she were to live again.

  At this time, Vittore discovered the truth about his wife's death. It turned out that his good brother was jealous of him, so he secretly helped the devil to bewitch his wife. Hatred and despair made Vittore completely crazy.

  Vittore began to plan to release the devil, and began to manipulate and influence his good brother little by little through the power of actors.

  As for why Delia was scared away, and why the Delia Rosen had met before had no memories of her past life.

  That's because the memory of the previous life has always been sealed. Vittore didn't dare to unseal it because he knew that what he was doing would lead to death. He didn't want to implicate Delia after his death. Only Delia who didn't know the truth could live well.

  Delia didn't know exactly how much Vittore had done secretly.

  She only knew that some time had passed after Vittore's death, and her memories of her past life had awakened. The demon power that she should have inherited was gone. After much deduction, she suspected Rosen, which led to Delia's frame-up.

  However, she was only a Sequence 7 actress, and normally she was not qualified to frame him.

  But for some unknown reason, a mysterious force approached Delia.

  The mysterious force killed the heir of Duke Amos and then gave the spirit realm master tape to Delia.

  Delia wants to use the power of Duke Amos to force him into a desperate situation, and then force out the hidden forces behind him.

  Unexpectedly, the evidence that he had worked so hard to frame suddenly lost its sensitivity.

  Delia realized that her attempt to frame him had failed, and had been planning to find another opportunity to deal with him.

  In the end, I don't know what happened, but he ran up to Rosen and forced him into the role.

  When Rosen learned this, he immediately realized that Delia must have been briefly manipulated by a mysterious force.

  Otherwise, before figuring out the power behind him, Delia would never have made a desperate bet and would rather sacrifice herself to get him into the game. Obviously, Delia was also used as a pawn this time, but no one knows who the mysterious power is?

  Rosen sealed Delia's true self in the painting, and the self-portrait that incorporated half of her spirituality also fell into a deep sleep.

  Rosen took out the Divine Tarot Card, the Knight of the Holy Grail, and then took out the spiritual realm master tape that was used to frame the person.

  The Grail Knight's destiny ability allows him to find strangers from far away whose fate is connected to his.

  This spiritual realm mother tape originated from a mysterious force, and the mysterious force wanted to frame him.

  The fact that our fates are connected is already satisfied with this medium.

  He had never seen the mysterious force and didn't know who it was, so the condition of being a stranger was also met.

  The only thing Rosen was worried about now was that the Holy Grail Knight was just a replica of Sequence 7.

  If the sequence level of the person who was plotting against him by the mysterious force this time was too high, the divination of the fate of the Holy Grail Knight would likely fail.

  A distorted image vaguely appeared in Rosen's spiritual flame.

  If it were an ordinary person, he would definitely be dumbfounded after seeing the divination result that looked like it was blurred with mosaics.

  But with Rosen's painting skills, he was able to adjust the distorted and blurry picture and restore it to a clear picture.

  Contrary to his expectations, the people from the mysterious force were very close to him.

  Rosen has been traveling around the mysterious island with Delia recently, and they live in hotels on a daily basis.

  Today was no exception. The people from the mysterious force were actually in the room right below him.

  This is really bold, or does he not take him seriously at all?

  Rosen did not act rashly, but increased his extraordinary hearing to five times the limit.

  However, I couldn't hear anything as the downstairs was carefully soundproofed.

  Rosen closed his eyes and felt the dream. No one downstairs was asleep and no one was dreaming.

  Forcing someone into a dream can easily alert the enemy.

  Rosen activated the virtual world pupil technique, expanding a small virtual world field covering the room.

  This is to integrate the power of the virtual world into reality, but this time it is not to informatize itself to create a life bar.

  Rosen's spiritual consciousness began to invade the virtual world with the help of the power of the virtual world.

  Of course, it was impossible for him to completely invade the virtual world of the Thunder Empire, but if it was just a small local area network within the hotel, he could easily invade the virtual world login device equipped in every guest room of this top hotel.

  Rosen quietly saw three men downstairs through the login device of the guest room downstairs.

  The man with glasses is holding a destiny script, the one with a pipe in his mouth seems to be a doctor, and the last short man should be an assassin judging by his dress. Except for the playwright, the other two are watching movies to kill time.

  The playwright can manipulate the actors, but the actors can also fool the playwright.

  This playwright could make Delia completely unable to resist, and he was at least a Sequence 5 playwright.

  In addition, since the doctor and the assassin can be so casual, their levels are obviously not lower than Sequence 5.

  Otherwise, why would the playwright be busy while the other two can watch the movie leisurely on the side?

  "Fuck... Another black hole of fate appears..."

  Ford couldn't help cursing as he looked at the fateful script in his hand.

  Playwrights can weave scripts of fate and influence local destinies, but playwrights are not the gods of fate, and the core essence of playwrights is not fate but creation.

  Therefore, when writing the script of destiny, various mistakes often occur.

  For example, the protagonist in the script was supposed to eat rice, but he hated rice and it was replaced with bread. This is the smallest mistake.

  This type of mistake is insignificant and does not affect the main plot of the script.

  But sometimes, the fateful script makes the protagonist who likes women like men, or makes the protagonist face danger. This kind of operation goes against the protagonist's survival instinct and can easily cause the protagonist to have strong resistance.

  Often at this time, a considerable part of the plot of the fate script will be wasted, thus forming a fate black hole in which the playwright cannot control the plot.

  If you want to erase the black hole of fate, you have to rewrite a more reasonable plot.

  When Rosen saw this scene, he knew that he didn't have much time left.

  When the playwright writes a new plot and fateful black holes keep appearing in the new plot, he will immediately realize that he, the protagonist, has jumped off the stage.

  Rosen took out the Wrath of the Dragon King and aimed directly downward through the time sight.

  Activating the future silencer, the power of the Dragon King's Roaring Bullet was compressed into a time element four-phase

  bullet and loaded into the chamber. Rosen began to stack various gains.

  The gray rat's bloodthirsty attack increases damage, Quetzalcoatl's Morning Star theocracy gives bullets a faster firing rate and a harder body, the mechanical mount activates Holy Judgment to increase damage by three times, and finally the hunter's death blow is ready to go.

  Rosen pulled the trigger, and the time element four-phase bullet passed through the gun barrel and the future silencer and disappeared.

  Seconds later, the bullet appears in the future and hits the playwright downstairs.

  But it was not enough; at most it dealt a heavy blow to the playwright.

  Rosen continued to fire bullets, and he fired three space element four-phase bombs into the future through the future silencer.

  These three bullets are all projected from the mind canvas, and then transformed into bullets through the artist's magazine. However, the painting that is transformed into the bullet is not a single-sided painting, but a double-sided painting with a fusion trap drawn on the other side.

  Although the four bullets were fired at different times, after being adjusted by the future silencer, they hit the enemy at the same moment. So as Rosen silently counted down in his mind, the hunting time was about to come.

  The moment the countdown ended, Rosen disappeared into the shadows and teleported downstairs.

  The moment he teleported into the room, four bullets hit three targets at the same time.

  The doctor and the assassin, their passively activated defensive magical items blocked the bullets.

  But then the bullets turned into paintings, and a trap emerged from the paintings that trapped them.

  Both traps are dual element traps of frost and thunder, superimposed with a space confinement space trap, and then a time dust time trap. With the triple trap superimposed, even two sequence 5s will take several seconds to figure it out.

  At this time, the playwright had been hit by the Dragon King's Roaring Bomb.

  The moment he was hit, the playwright had already used all his defensive skills to the best of his ability.

  However, the defensive skill that was supposed to last for a few seconds at the shortest and a few minutes at the longest, was instantly reached the end and disappeared under the impact of the dragon's breath of the Dragon King's Roaring Bomb, and it was hit hard by the four-phase bomb of the space element.

  This space trap is not a space confinement, but a space transfer that locks the void gallery.

  The time dust accelerated in just a blink of an eye, and before the playwright could react, he had been transferred to the Void Gallery.

  Rosen instantly performed the Gray Rat's Head-covering Shuffle, bursting at ten times the speed, and then added the speed bonus of Shadow Meld in the shadows, bursting at almost twenty times the speed instantly, and stabbed the air in the corner of the room with the dragon tooth dagger in his hand.

  At this time, the assassin just escaped from the space trap and came to the corner of the room with the space flash of the assassin sequence.

  However, at the moment he flashed in space, a sharp dagger had pierced through his Sequence 5 armor and penetrated his heart. Moreover, the dagger contained some terrifying power that interfered with the spirituality, temporarily sealing the assassin's spiritual control over the body.

  The doctor who had also escaped from the trap not far away had five scalpels flying out of his hands.

  These scalpels flew through the air at super high speed like living things. One of them fell on the assassin, and the remaining four scalpels all stabbed at Rosen. The moment they were within one meter, the scalpels disappeared and reappeared in front of Rosen's skin.

  These scalpels can actually travel short distances through space. As long as they get close to a certain distance, the attack distance becomes zero.

  If he used Shadow Escape to teleport at this time, Rosen could avoid the doctor's scalpel.

  But the assassin will also escape, because there is a Sequence 5 doctor next to him. Not to mention his heart being crushed by the dragon tooth dagger, even if his head is chopped off, it can be reattached instantly. It will be difficult to deal with these two Sequence 5s at that time.

  So Rosen instantly activated the virtual world and solidified his vitality into a blood bar.

  His heart, brain, spine and kidneys were all penetrated by a scalpel and injected with poison in an instant.

  However, three water clones generated by the dragon tooth daggers also flashed beside Rosen, and the projections of the three dragon tooth daggers were inserted into the assassin's body at the same time. The assassin, whose spiritual power was imprisoned by the golden divinity that was integrated with the greedy theocracy, could only try his best to avoid the damage to the vital parts.

  Then he reached out to grab Rosen's right hand, raised his leg and used his knee to strike Rosen's third leg.

  The doctor cuts the kidneys, the assassin cuts the legs to make the childless.

  Rosen could no longer calm down, and activated the source ability of the hunting boots, Storm Pursuit. The dragon tooth dagger that had pierced the assassin's heart suddenly stabbed diagonally upwards into the assassin's neck, and then a water shield appeared out of thin air to block the knee strike.

  The level of the remaining ring of Poseidon is too high, and Rosen finds it difficult to use most of its abilities.

  However, this treasure can absorb faith. The faith provided by the razor-sharp sharks raised in the divine beast pen can allow him to consume the power of faith and exert some of the power of the sea god.

  Through the power of the sea god, Rosen learned many skills mastered by the Frost Naga.

  Although he didn't master it to a deep level, it was no problem for him to use water jutsu to block a knee strike.

  Under the crazy stabbing and cutting of four dragon-tooth daggers, the assassin, whose spirituality was suppressed by the greedy theocracy and who was unable to effectively release skills to counterattack, was actually beheaded by Rosen, who then took advantage of his weakness to film the assassin and uploaded it to the virtual world.

  At this time, there was only one doctor left in the room.

  Rosen completely ignored the scalpel destroying his body and turned to look into the doctor's eyes.

  The mental canvas was instantly projected, and the room was filled with endless colorful light.

  This is a natural wonder that Rosen painted on the canvas of his mind. It is a colorful light born in the darkness. When this natural wonder is born, it has the effect of interfering with all spiritual perceptions.

  Without spiritual perception and vision, the only things one can rely on are hearing and intuition.

  Therefore, Rosen also used his extraordinary five senses to block the doctor's hearing. Of course, due to the huge gap in the sequence levels of the two sides, the interference of the extraordinary five senses on hearing would not exceed two seconds.

  The Dragon King's Wrath appeared in Rosen's hand, transformed into a pistol and fired a round of rapid fire.

  In order to maximize the damage of the God-Slaying Crossbow, the ability of the mind is restricted to fire only nine mind bullets a day.

  But now the God-Slaying Crossbow has been integrated into the Wrath of the Dragon King, and the Wrath of the Dragon King is a physical extraordinary object that can fire as many physical bullets as it wants.

  Rosen is not short of money now, and his artist magazine has long been filled with various sequence 7 extraordinary bullets.

  The rapid fire at this time was the strong acid bullet of Sequence 7. The moment the rapid fire barrage approached the doctor sequence, it was blocked by a layer of blood mist. However, the bullets enhanced by the death blow all had the defense-breaking effect of Ashes Armor-Breaking.

  While Rosen was firing rapidly from the front, three water clones had already come behind the doctor.

  Seeing that the doctor was about to be surrounded from both sides, he stomped his feet hard, breaking the floor and falling to the guest room on the next floor of the hotel.

  However, all this had been predicted by Rosen's Eye of Time. A self-portrait clone was already waiting on the next floor of the guest room, and an astonishing number of traps had been set up in the trap space in advance.

  At this time, the doctor fell into the trap on his own and was transferred to the void gallery by dozens of superimposed space traps on the spot.

  Rosen then began to deal with the scene, leaving behind a spiritual purification bomb before returning to his room.

  The spiritual purification bomb exploded instantly, purifying all spiritual traces on the battlefield.

  Although Rosen was sniping the playwright from below in his room just now, the future silencer allows the bullet to appear in the future and directly hit the opponent. Strictly speaking, it also has a spatial effect, so the bullet appears directly downstairs without penetrating the floor.

  Of course, the aftermath of the battle downstairs caused the ceiling to crack inch by inch, turning it into a dangerous building.

  The entire hotel was in chaos at this time, and Sequence 8, who was responsible for ensuring the safety of the hotel, was sweating profusely with fear.

  Because of the spiritual pressure that slightly overflowed from the previous battle, every one of them made him tremble.

  Such a presence could turn the entire hotel into ruins at will, but the battle ended with the destruction of just two guest rooms. In the eyes of the hotel security, it was highly likely that the warring parties had already left the hotel.

  So no one suspected Rosen, and instead took the initiative to arrange for Rosen to stay in other hotels.

  After Rosen refused, he left the hotel and found an alley to enter the mysterious study.

  The only one who was truly eliminated was the assassin, while the playwright and the doctor were still wreaking havoc in the Void Gallery.

  If this problem is not resolved in time, the Void Gallery will be demolished by these two.

  Rosen dealt with the doctor first. The void gallery filled with sea water kept freezing, forcing the doctor to keep cutting the ice with a scalpel and then put the cut ice into a storage ring.

  Rosen set up the Dragon King's Wrath directly in the studio, then aimed at a blank picture frame and fired a series of sniper shots.

  Bullets were seen entering the picture frames and disappearing, only to come out from the picture frames that grew out of thin air on the walls on both sides of the gallery, locking onto the doctor's evasive trajectory from every angle and direction, making it almost impossible for him to avoid it.

  Although there is a difference of two sequences, Rosen's damage can threaten ordinary sequence 5.

  Because the Wrath of the Dragon King is a Sequence 5 extraordinary artifact, because the mechanical mount's Paladin skill can triple the damage, because he mobilized divinity instead of spirituality, and because he did not need to defend in the studio but only attack with all his strength.

  The doctor's body was getting more and more bullet holes, and even though he could heal himself he could no longer hold on.

  Finally, a Dragon King's Roaring bullet ended the doctor's last defensive skill, and the stable defense that had lasted for three minutes was instantly reset to zero. Then, a round of continuous shooting pierced his hands, feet and vital parts, and he fell to the ground.

  Rosen teleported to the Void Gallery and immediately sealed the doctor with nightmare shackles.

  Having dealt with the doctor, he immediately set about dealing with the playwright.

  This person's situation is much better than the doctor's. After all, he is the playwright of the four major civilization sequences.

  This playwright is far superior to the doctor in terms of both wealth and means.

  Therefore, Rosen did not think about getting rid of the playwright quickly. Instead, he continuously sent traps through the void gallery, continuously ambushing the playwright through the space in the painting, and continuously blocking the space to prevent him from having the opportunity to hide in the divine territory.

  Although Sequence 5 has a very high spiritual strength, and has mastered a large number of methods to quickly restore spirituality.

  But Ford still felt more and more desperate. It was true that the Void Gallery was powerful, but wouldn't it consume spiritual energy for a Sequence 7 painter to manipulate the Void Gallery? Where did Rosen get so much spiritual energy to engage in such a long-term war of attrition?

  As time went on, the alchemical puppets around Ford suffered heavy casualties.

  Realizing that there was no way out if he continued like this, Ford gritted his teeth and used a special skill he had mastered.

  Playwrights are good at manipulating the fate of others behind the scenes, but they are worst at head-on fighting.

  Even if Ford has mastered domain skills and the skills to manipulate alchemical puppets, these can only make up for the disadvantages in head-on combat. If he really encounters a powerful opponent and is forced into a desperate situation, he must fight to the death.

  If a playwright can treat others as characters, he can naturally treat himself as a character as well.

  Ford tears off a page from the Destiny Script, then uses his spirituality to ignite this page of the script to perform a special skill, the Destiny Stage Play.

  The Destiny Stage Play is an extension of the domain skills. It can materialize an extraordinary architectural stage within the domain and set the script rules on the stage.

  With the help of the script of fate, the moment Ford stepped onto the stage of fate, a Rosen appeared opposite him simultaneously.

  This is not Rosen himself, but his original self can sense that once the one on the stage dies, he will also suffer great harm. If his original self does not go on stage for a long time to replace this materialized fake, his original self will also suffer continuous harm.

  Rosen teleported into the gallery maze, and with a flickering shadow he stepped onto the magnificent stage of destiny.

  He knew that the playwright's fateful stage play skills could produce such a strong restraining effect. Obviously, the playwright had turned himself into a character in the stage play. Only in this way could the power of the stage play be exerted to this extent.

  (End of this chapter)