NewEraCulture

A high-society romance where pretense turned into reality.
 
Van, the heir to a top-tier fortune and a regular on the front page of the Wall Street Journal, had been mocked for being perpetually single, with even rumors swirling about his "dysfunction."
 
Winnie, a Hollywood superstar desperate to escape her constant barrage of scandals, encountered this billionaire worth tens of billions. To her surprise, Van presented her with an unexpected proposal:
 
"Pretend to date me for a year. You won't have to do anything else. I'll pay you $100 million after taxes."
 
She planned to laugh it off but couldn't ignore the man's chiseled features—the way his shadowed face was lit up as he casually raised an eyebrow and lit a cigarette in the glow of firelight, his voice steady and laced with danger.
 
She remembered their first meeting in a torrential downpour—the man reclining in a silver Maybach, eyes half-closed, exuding charm yet utterly unattainable. She also remembered later, when everyone had believed him to be unshakable and untouchable, he had appeared alone, worn and weary, at her remote desert film set, quietly asking:
 
"Do you really have to shoot this kiss scene?"
 
Behind this contract lay something far deeper than money—a fixation, a love that had turned real, or perhaps an irresistible force neither of them had recognized.
 
$100 million had set the stage for a high-stakes battle of love and hate that would ultimately unravel.

A Love Confession from Las Vegas

Becca, a supermodel born in Mexico, had just announced her retirement last year. She had worn the sky-high wings of Victoria's Secret and had left her name on prestigious fashion runways worldwide. She was one of the fashion legends of her generation.


When Becca saw Winnie, she immediately smiled even brighter, her voice filled with surprise, "Oh my gosh! It's you! I've seen your movie, The Love Letter, right?" She was so excited that she almost covered her mouth.


Winnie paused for a moment before realizing—Becca was talking about her debut movie, The Love Letter, which had been her first entry into international film festivals.


"You're completely different from back then. But of course, you were just a little girl back then," she said this with a touch of nostalgia and teasing, her smile warm and friendly.


Indeed, when she first entered the film industry at 17, she still had baby fat on her face, looking both youthful and innocent.


Chapter 84