The Greatest Showman #1008 – Friendly Consultation

After months of tireless planning and project selection, Andy was taken aback by a sudden disruption in Renly's plans. "I thought you weren't planning to take on any new projects for now. And with the Oscars behind us, we were supposed to conduct more reviews and discussions. Are you sure about this choice? A commercial film?" Andy questioned, his voice laced with concern.

Renly chuckled lightly. "Yes, I wasn't planning to take on anything, but the Broadway and West End shows will remain the priority. This is the first project I've agreed to outside of those commitments. The schedule will stay intact, and we're still on for the New York tour."

Andy, still puzzled, continued, "I thought you were really into the script for 'Gravity'?"

"I am. Honestly, I can't wait to dive in," Renly admitted, his enthusiasm evident. "But the Broadway shows won't be affected. We've already agreed on the number of performances, and I'm committed to keeping that schedule."

He added, almost wistfully, "The only downside is that I promised Emma I'd return to the stage if I had time once the tour continued, but if I take on 'Gravity', I won't be able to keep that promise."

It was clear that the Broadway show wouldn't wrap up until October at the earliest, giving Renly plenty of time before committing to anything else.

Relieved, Andy exhaled. The timing seemed manageable, and while Alfonso Cuaron's offer was unexpected, it was undoubtedly positive. Renly's talent had been recognized, not only by the industry but also by a leading director.

Still, Andy couldn't suppress his curiosity. "What is it about 'Gravity' that appealed to you?"

Renly's sincerity was apparent. "I don't think it's just about Alfonso visiting. It's the challenge itself. The film's visual effects are groundbreaking, and it requires an actor to go beyond typical boundaries. It's more than just technical acting like 'Avatar' or 'Inception.' It's about creating a weightless environment that challenges the actor in unimaginable ways."

Renly paused, thoughtfully. "It's akin to the ambition of 'Inception,' but with visual effects that push the limits of what's possible, blending real elements with the surreal."

Andy, processing the comparison, was impressed. "So you're saying it's even more advanced than 'Avatar' or 'Inception' in terms of visual innovation?"

Renly nodded, confirming. "Yes. What excites me most is that Alfonso is making a commercial film, but he's learned from his past work. He's putting more focus on pacing and rhythm, while also allowing the actor to carry the weight of the film."

Renly's words struck a chord with Andy, who could already see the potential. "Do you think Alfonso can pull it off? Balancing commercial appeal with artistic depth is no easy task."

Renly's confidence was unwavering. "Why not try it and see?"

Andy couldn't help but admire Renly's vision. If 'Gravity' succeeded as expected, it could be the perfect way to break the so-called "Golden Man Curse." As an actor, Renly would prove his worth again, while the film could also test the waters of the commercial market. Either way, Renly's performance would speak for itself, and critics would undoubtedly recognize his craft.

"Perfect," Andy thought. "This could be Renly's chance to truly shine, breaking through any post-Oscar barriers."

Yet, there was one more thing Andy needed to address. "What about salary? Have you discussed compensation with Alfonso?"

Renly laughed lightly. "Alfonso's honest—too honest sometimes. He offered me $20 million and a share of the box office."

Andy was momentarily speechless. "That's... quite a deal."

Renly smiled knowingly. "It's true, but I'm aware that the technical costs of this film will be high. Warner Bros. is likely investing heavily, so I'll need to temper my expectations. As much as Alfonso has promised, we don't want to cause tension with the producers. I'm committed to working with Alfonso; without him, the project wouldn't happen."

Andy nodded, understanding Renly's approach. There was no question of compromising the integrity of the project.

"The Broadway negotiations are almost done," Andy continued. "They want you to perform more shows, but we'll sort out the details. By the way, I've been getting calls from the Coen brothers. They asked for your contact info."

Renly raised an eyebrow, intrigued. "The Coens, huh? Sounds promising."

As Andy ended the call, both men understood that Renly's next move could be a defining moment in his career.