Elias Thorne stared at the swirling amber liquid in his glass, the dim light of his workshop reflecting in its depths. The air was thick with the scent of oil, metal shavings, and stale pipe smoke – the familiar perfume of his self-imposed exile. He was a ghost in his own city, a shadow flitting through the smog-choked alleys of Aethelburg.
It had been five years since the Grand Exhibition, five years since the catastrophic failure of his masterpiece, the Aetherium Dynamo. Five years since his reputation, his career, and his future had been shattered in a spectacular explosion of shattered gears and crackling energy. He'd been lucky to escape with his life, though the scars – both visible and invisible – remained.
A sharp rap on the workshop door jolted him from his reverie. He grunted, setting the glass down on a workbench cluttered with half-finished projects, tools, and scattered blueprints. He rarely had visitors these days, and those he did have were usually debt collectors or disgruntled clients whose broken automatons he'd failed to repair.
He opened the door cautiously, revealing a woman standing in the dimly lit hallway. She was middle-aged, her face etched with worry, her clothes simple but well-made. In her hands, she clutched a small, ornate birdcage.
"Mr. Thorne?" she asked, her voice trembling slightly. "Are you the artificer?"
Elias sighed. "I was an artificer," he corrected, his voice raspy from disuse and too much cheap whiskey. "What do you want?"
"My son… he's missing," the woman said, her eyes welling up with tears. "He's an inventor, like you. He… he left this behind."
She held up the birdcage. Inside, perched on a delicate branch of polished brass, was a clockwork nightingale. It was exquisitely crafted, its feathers made of thin sheets of silver, its eyes tiny glittering rubies. It was beautiful, but lifeless.
Elias hesitated. He didn't want to get involved. He'd learned the hard way that involvement led to pain, to disappointment, to ruin. But there was something in the woman's desperate plea, something in the intricate beauty of the nightingale, that stirred a flicker of his old passion, a spark he thought long extinguished.
"Come in," he said, stepping aside to allow her entry.
The woman, who introduced herself as Mrs. Albright, explained that her son, Thomas, had been working on a secret project, something revolutionary, she believed. He'd been obsessed with it, spending every waking hour in his workshop, neglecting his meals, his sleep, his health. Then, three days ago, he'd vanished without a trace, leaving behind only the clockwork nightingale.
Elias examined the bird carefully, turning it over in his hands. It was a marvel of engineering, far beyond the capabilities of most journeyman artificers. The gears were minuscule, the springs delicate, the craftsmanship impeccable. But there was something else, something he couldn't quite place. A subtle hum, a faint vibration, that suggested something more than mere mechanics.
"Did your son ever mention… magic?" Elias asked, cautiously.
Mrs. Albright frowned. "Magic? No. Thomas was a man of science, of reason. He scoffed at such things."
Elias wasn't so sure. He felt it, a faint resonance, a whisper of something ancient and powerful, hidden within the intricate workings of the nightingale. He'd always been a skeptic himself, but the Dynamo… the Dynamo had taught him that there were forces in the world that defied logic, that defied explanation.
"I'll take the case," he said, surprising himself. He needed the money, of course, but it was more than that. He needed something to pull him out of his self-pity, something to rekindle the flame that had been snuffed out five years ago.
Mrs. Albright's face lit up with a mixture of relief and gratitude. "Thank you, Mr. Thorne. Thank you. I'll pay you whatever you ask."
Elias waved his hand dismissively. "We'll discuss payment later. First, I need to know everything about your son. His friends, his rivals, his work… everything."