Eleanor Sinclair hadn't planned to stop. She was only wandering, letting the streets of Paris guide her as they always did. The city, bathed in the golden glow of late afternoon, felt alive. Its cafés spilling over with laughter, the scent of warm bread drifting from boulangeries, and the distant hum of a violinist playing near the Seine.
She had meant to go straight home, but as she turned onto a quiet cobblestone street in the Marais district, something caught her eye. A tiny antique shop, its window crowded with old books, gilded picture frames, and delicate ink bottles that seemed forgotten by time. She hesitated only a moment before stepping inside.
The scent of aged paper and dust wrapped around her, familiar and comforting. Shelves sagged under the weight of forgotten stories, and tucked between them, Eleanor spotted a stack of old sketchbooks. She ran her fingers over the leather covers, worn soft by time, before selecting one at random. The pages inside were yellowed but mostly empty, save for a few faded pencil sketches. It felt like something waiting to be filled waiting for her.
But it wasn't just the pull of fresh art supplies that made her buy it. There was something else. Something hidden within the pages, waiting to be discovered.
Eleanor sifted through the pile of old sketchbooks, running her fingers over their worn covers. Most were tattered and crumbling, their pages filled with faded ink and smudged charcoal. But one stood out.
It was different, not just in size, but in feel. The dark leather cover was smooth, almost too well-preserved for something so old. A faint engraving of vines decorated the corners, and when she flipped it open, most of the pages were blank except for a few at the beginning, where delicate pencil sketches of city streets and bridges had been left unfinished, as if the artist had abandoned them in the middle of a thought.
Something about it pulled at her. She didn't question why. She simply took it to the counter.
The cashier, an older woman with silver hair pinned in a bun, glanced at the book as she wrapped it. "Ah," she murmured, tapping her fingers against the cover. "That one has been waiting for someone."
Eleanor blinked. "What do you mean?"
The woman only smiled, handing her the package. "You'll see."
Outside, the Paris air was crisp as Eleanor made her way home, clutching the sketchbook close. Her mother would hate this.
Growing up, Rose Sinclair had always told her that art was a hobby, not a career. A waste of time, she called it. "Find something stable, something that matters," she would say.
Eleanor had tried. She had done everything right. Gotten a degree, found a respectable job in art restoration. But no matter how hard she tried to ignore it, the need to create never left her.
And now, with this strange sketchbook in her hands, that pull felt stronger than ever.