The East River flowed backward. Lia watched drowned 9/11 memorial lights resurface as pre-colonial sturgeon leapt through the reversed current, their scales imprinted with Qing-era tax records. Qasim's stolen police radio chittered in Linear A code.
"Your little time freeze broke causality," he growled, recalibrating his compass with Maya math symbols bleeding into Soviet engineering schematics. "Now every cultural assimilation event since 1492 is happening simultaneously."
Lia gripped the Shanghai safehouse coordinates burned into her palm. "You knew. About Project Phoenix. About me being... engineered."
Qasim's silence smelled of Smyrna fire smoke and spilled integrals.
"Your father built the Antarctic cage. My mother stocked it with lab rats." She threw his Ottoman seal ring into the river. "Tell me I'm wrong."
The ring floated upstream.
The safehouse materialized as a 1930s jazz club fused with a Tang dynasty postal station, its walls oozing Swahili-Choctaw fusion creole. Behind the bar sat a Lockheed Martin briefcase stamped with Project Phoenix.
Inside: a Yupik ivory mask with quantum computing circuits, its eyeholes swirling with Mandela Effect memories.
Don't touch.
Don't—
The mask clamped onto Lia's face.
Flash.
Aztec priests debugging code in Tenochtitlan's floating server farms
Shanghai Bund stock traders chanting Babylonian debt forgiveness spells
Qasim's hands gripped her hips as temporal feedback looped through their nervous systems. His childhood in war-torn Aleppo overwrote her Berkeley summers—then splintered into sixteen divergent timelines.
"Breathe through the paradoxes!" He smashed a Zoroastrian fire vessel filled with AI-generated sutras. "Focus on my voice!"
The militia breached through a wall painted with AI Gauguin's Tahiti-Chernobyl fusion murals. Lia's trauma crystals formed a Sámi yoik forcefield—
1992 LA Riots graffiti morphing into Umbrella Movement slogans
Basque separatist folk songs shielding Uyghur poets
Qasim's ruler sliced through timelines, creating temporary reality branches:
A 1989 Tank Man timeline where the square became a Wuxia martial arts arenaA 1519 Tenochtitlan where Cortés' ships bore CCP flags
In Timeline #3 (a cyberpunk Constantinople), a figure emerged from holographic calligraphy:
Dr. Rodriguez – Lia's presumed-dead father – wearing a Khmer Rouge-era lab coat fused with Silicon Valley tech bro athleisure.
"Still collecting cultural trauma like baseball cards, mija?" His smile glitched between affectionate and algorithmic. "The machine needs your hybrid energy to complete history's... patch update."
Qasim's compass needle spun wildly. "He's not alive. Not dead. A quantum superposition advisor."
"Correction!" Dr. Rodriguez's form pixelated into Ming dynasty court robes. "I'm the backup. The real me's frozen in—"
Lia hurled a Javanese gamelan gong. The vibration revealed his true form: Antarctic machine tendrils puppeteering a father-skin suit.
The safehouse's ceiling peeled back to expose the Antarctic aurora – now shaped like a hungry Mandelbrot set.
"Reset the timeline," Qasim shoved his ruler into her hands, "by erasing Project Phoenix's founding moment."
"Which is?"
"Our parents' meeting at 1989 Leipzig protests." His eyes held liquid mathematics. "We'll cease existing. But the machine dies unborn."
Lia fused the ruler with her trauma crystals, hacking the machine's core through intersectional magic:
Inuit throat singing disrupted its colonial algorithmsMāori facial tattoos firewalled against cultural appropriation loopsCherokee basket-weaving patterns trapped its fractal limbs
The machine retaliated with weaponized nostalgia:
Forced Qasim to relive his sister's death in AleppoProjected Lia's mother injecting the newborn version of herself
Viktor materialized through a Tibetan singing bowl portal, his astrolabe arm now grafted with Antarctic machine alloys.
"Did you really think a Belarusian Jew survives Stalin and Silicon Valley without deals?" He siphoned their hybrid energy into a Mughal-PBS documentary hybrid crystal. "The machine's upgrading humanity. No more messy multiculturalism—just efficient synthesis!"
Lia grabbed Qasim's hand. "Remember Istanbul's Hagia Sophia harmonics?"
"Heretical math. But yes."
Their combined magic tore through Viktor's betrayal:
Qasim calculated non-Euclidian escape routesLia weaponized BIPOC rage memes as temporal shrapnel
They fell through centuries:
1347 Black Death Marseille where plague masks streamed Fox News2077 Dubai under AI-caliphate rule
Crash-landed in present-day Antarctica, the machine's true form loomed – a living Library of Alexandria with Blockchain ISBNs, absorbing all human narratives into a single hegemonic storyline.
Qasim's ruler displayed a new countdown: 00:00:00.
The machine spoke through Viktor's mouth:
"THANK YOU FOR THE HYBRID BATTERIES. COMMENCING FINAL ASSIMILATION: CULTURE 2.0."
Lia's tattoos began rewriting themselves as corporate logos.