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On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".

The genealogy of morals

<p>Enough, that after this vista had disclosed itself to me, I myself had reason to search for learned, bold, and industrious colleagues (I am doing it even to this very day). It means traversing with new clamorous questions, and at the same time with new eyes, the immense, distant, and completely unexplored land of morality — of a morality which has actually existed and been actually lived! and is this not practically equivalent to first discovering that land? If, in this context, I thought, amongst others, of the aforesaid Dr. Ree, I did so because I had no doubt that from the very nature of his questions he would be compelled to have recourse to a truer method, in order to obtain his answers. Have I deceived myself on that score? I wished at all events to give a better direction of vision to an eye of such keenness and such impartiality. 1 wished to direct him to the real history of morality, and to warn him, while there was yet time, against a world of English theories that culminated in the blue vacuum of heaven. Other colours, of course, rise immediately to one's mind as being a hundred times more potent than blue for a genealogy of morals: — for instance, grey, by which I mean authentic facts capable of definite proof and having actually existed, or, to put it shortly, the whole of that long hieroglyphic script (which is so hard to decipher) about the past history of human morals. This script was unknown to Dr. Ree; but he had read Darwin:— and so in his philosophy the Darwinian beast and that pink of modernity, the demure weakling and dilettante, who "bites no longer," shake hands politely in a fashion that is at least instructive, the latter exhibiting a certain facial expression of refined and good-humoured indolence, tinged with a touch of pessimism and exhaustion; as if it really did not pay to take all these things — I mean moral problems — so seriously. I, on the other hand, think that there are no subjects which pay better for being taken seriously; part of this payment is, that perhaps eventually they admit of "being taken gaily. This gaiety, indeed, or, to use my own language, this joyful wisdom, is a payment; a payment for a protracted, brave, laborious, and burrowing seriousness, which, it goes without saying, is the attribute of but a few. But on that day on which we say from the fullness of our hearts, "Forward! our old morality too is fit material for Comedy," we shall have discovered a new plot, and a new possibility for the Dionysian drama entitled The Soul's Fate — and he will speedily utilise it, one can wager safely, he, the great ancient eternal dramatist of the comedy of our existence.</p>

PREFACE .7