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On the Genealogy of Morality: A Polemic (Genealogy of Morals) is an 1887 book by German philosopher Friedrich Nietzsche. It consists of a preface and three interrelated essays that expand and follow through on concepts Nietzsche sketched out in Beyond Good and Evil (1886). The three trace episodes in the evolution of moral concepts with a view to confronting "moral prejudices", specifically those of Christianity and Judaism. Some Nietzsche scholars consider Genealogy to be a work of sustained brilliance and power as well as his masterpiece. Since its publication, it has influenced many authors and philosophers. In the "First Treatise", Nietzsche demonstrates that the two opposite pairs "good/evil" and "good/bad" have very different origins, and that the word "good" itself came to represent two opposed meanings. In the "good/bad" distinction, "good" is synonymous with nobility and everything which is powerful and life-asserting; in the "good/evil" distinction, which Nietzsche calls "slave morality", the meaning of "good" is made the antithesis of the original aristocratic "good", which itself is re-labelled "evil". This inversion of values develops out of the resentment of the powerful by the weak. In the "Second Treatise" Nietzsche advances his thesis that the origin of the institution of punishment is in a straightforward (pre-moral) creditor/debtor relationship. Man relies on the apparatus of forgetfulness in order not to become bogged down in the past. This forgetfulness is, according to Nietzsche, an active "faculty of repression", not mere inertia or absentmindedness. Man needs to develop an active faculty to work in opposition to this, so promises necessary for exercising control over the future can be made: this is memory. Nietzsche's purpose in the "Third Treatise" is "to bring to light, not what ideal has done, but simply what it means; what it indicates; what lies hidden behind it, beneath it, in it; of what it is the provisional, indistinct expression, overlaid with question marks and misunderstandings" (§23). As Nietzsche tells us in the Preface, the Third Treatise is a commentary on the aphorism prefixed to it. Textual studies have shown that this aphorism consists of §1 of the Treatise (not the epigraph to the Treatise, which is a quotation from Nietzsche's Thus Spoke Zarathustra). This opening aphorism confronts us with the multiplicity of meanings that the ascetic ideal has for different groups: (a) artists, (b) philosophers, (c) women, (d) physiological casualties, (e) priests, and (f) saints. The ascetic ideal, we may thus surmise, means very little in itself, other than as a compensation for humanity's need to have some goal or other. As Nietzsche puts it, man "will rather will nothingness than not will".

The genealogy of morals

Let this suffice once for all concerning the origin of the "holy God." The fact that in itself the conception of gods is not bound to lead necessarily to this degradation of the imagination (a temporary representation of whose vagaries we felt bound give), the fact that there exist nobler methods of utilising the invention of gods than in this self-crucifixion and self-degradation of man, in which the last two thousand years of Europe have been past masters—these facts can fortunately be still perceived from every glance that we cast at the Grecian gods, these mirrors of noble and grandiose men, in which the animal in man felt itself deified, and did not devour itself in subjective frenzy. These Greeks long utilised their gods as simple buffers against the "bad conscience"—so that they could continue to enjoy their freedom of soul: this, of course, is diametrically opposed to Christianity's theory of its god. They went very far on this principle, did these splendid and lion-hearted children; and there is no lesser authority than that of the Homeric Zeus for making them realise occasionally that they are taking life too casually. "Wonderful," says he on one occasion—it has to do with the case of Ægistheus, a very bad case indeed—

"Wonderful how they grumble, the mortals against the immortals,

Only from us, they presume, comes evil, but in their folly,

Fashion they, spite of fate, the doom of their own disaster."

Yet the reader will note and observe that this Olympian spectator and judge is far from being angry with them and thinking evil of them on this score. "How foolish they are," so thinks he of the misdeeds of mortals—and "folly," "imprudence," "a little brain disturbance," and nothing more, are what the Greeks, even of the strongest, bravest period, have admitted to be the ground of much that is evil and fatal.—Folly, not sin, do you understand?... But even this brain disturbance was a problem—"Come, how is it even possible? How could it have really got in brains like ours, the brains of men of aristocratic ancestry, of men of fortune, of men of good natural endowments, of men of the best society, of men of nobility and virtue?" This was the question that for century on century the aristocratic Greek put to himself when confronted with every (to him incomprehensible) outrage and sacrilege with which one of his peers had polluted himself. "It must be that a god had infatuated him," he would say at last, nodding his head.—This solution is typical of the Greeks, ... accordingly the gods in those times subserved the functions of justifying man to a certain extent even in evil—in those days they took upon themselves not the punishment, but, what is more noble, the guilt.

"GUILT” AND “BAD CONSCIENCE”.23