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Asteria Vale was the world’s top idol, a queen of the stage adored by millions. But at the peak of her success, she was betrayed, drugged, and left to die in an alley—discarded like trash by the very people she trusted.

When she opens her eyes again, she’s no longer Asteria. Instead, she has reincarnated into the body of a nameless girl—one who was supposed to be dead. This new body isn’t just a random identity; it holds secrets connected to a powerful mafia family, an underground revenge plot, and a mysterious contract that binds her fate.

Now, under the new identity of Raine Vesper, she enters the entertainment industry once again, determined to reclaim her throne while hunting down those who betrayed her. But things get complicated when Zayne Kross, a cold-hearted music producer with ties to the mafia, takes a dangerous interest in her.

As secrets unravel, Raine finds herself torn between her burning desire for revenge and the dark romance pulling her into Zayne’s world. With every performance, every whispered lie, and every deadly confrontation, she must ask herself—is she playing the game, or is she being played?

The Reincarnated Idol’s Secret

Raine's smirk didn't waver, but inside—her pulse spiked.

Slipping? What the hell did Zayne mean?

She took a slow breath, tilting her head. "You must be seeing things."

Zayne's smirk deepened. "Maybe. Or maybe you're getting careless."

His voice was light, teasing—but his eyes? Too sharp. Too knowing.

Before she could respond, Kairo's voice cut through.

"Great show," he said, arms crossed. "But you're both too cocky."

Kairo didn't even blink. "Just watching the pieces fall into place."

Raine narrowed her eyes. "You two love being cryptic, huh?"

Kairo gave her a lazy smile. "Just saying—when people pretend too hard, the act breaks eventually."

Were they just messing with her? Or did they know something?

She wasn't just fighting against an unknown enemy anymore.

Zayne and Kairo were watching. And they were getting closer to the truth.

Chapter 30: Cracks in the Perfect Act