THE HOUSE OF THREADS

They returned to Nigeria in silence.

The plane sliced through clouds like a needle through fabric, steady but tense.

Obi stared out the window. Zainab reviewed the footage again, each clip from "The Architect" like a warning—we see you.

By the time they touched down in Abuja, a message awaited her burner phone.

"Zainab. Leave it now. Or the next needle goes through your heart."

No name. No number. Just fear dressed in text.

She didn't flinch.

Instead, she turned to Obi. "It's time we paid Madam Fatihah a visit."

Obi blinked. "She's been quiet. You think she knows?"

"She knew Dapo. She met Mala. She taught me how to hide secrets in seams. She knows more than she's said."

Fatihah's house was quiet—too quiet. The compound was clean, undisturbed. The sewing room untouched.

Inside, they found her at the dining table, a Quran opened, tears on her cheeks.

"I knew you'd come," she said softly. "Sit."

Zainab remained standing. "Tell me about the House of Threads."

Fatihah froze.

"I haven't heard that name in 30 years," she whispered. "It wasn't just a fashion school. It was a front—for laundering money through fabric exports. Customs never checks buttons or hems. We coded entire shipments with thread. That's where I met Raven. That's where I learned everything."

"And The Architect?" Zainab asked.

Fatihah sighed. "We never saw him. Only heard his voice. He was never in Nigeria. They say he's ex-MI6… or Mossad. Or something worse. I only know his voice came from speakers. Cold. Clean. Calculated."

Obi stepped forward. "Is he still running it?"

Fatihah nodded. "He never stopped."

Zainab placed the micro-stitched footage on the table.

"I need to find him. I don't care where he hides. If he bleeds, I'll find the vein."

Fatihah looked at her like a mother watching a daughter step into fire.

"I have one last pattern," she said. "It was meant as an exit plan. A location. Coordinates. But it's not stitched. It's baked into dye."

She led them to her sewing room, pulled down a framed fabric—one Zainab had never noticed before.

It looked abstract, like tie-dye. But under a blacklight, it changed.

Obi whispered, "It's a map…"

"To the final facility," Fatihah said. "The heart of it all. In the hills outside Jos."

Two nights later, they stood at the gates of an abandoned textile factory.

Silent.

Rotten.

And wrong.

Obi adjusted the silencer on his pistol. Zainab wore a jacket laced with hidden tools—needle darts, signal jammers, encrypted keys.

They stepped in.

Inside were mannequins dressed in military coats. Fabric rolls on the walls. But everything was off. Every mannequin had human eyes—real ones, taxidermied, staring.

Zainab's hand trembled.

They reached the basement.

And there, in a glass room—dozens of screens.

Each screen showing a location in real-time: Lagos. Zaria. Milan. Her Ibadan class. Even Fatihah's house.

At the center of the room was a chair.

Empty.

But on the wall behind it—painted in bold strokes:

"THE THREAD IS ETERNAL.WE SEE ALL.WE FIX EVERYTHING."

Obi cursed. "It's not just one man."

Zainab shook her head.

"No… It's a council."

And that's when the lights shut off.

A voice crackled through a speaker overhead.

"Welcome, Tailor. You've finally arrived at the hemline. Let's see if your needle can cut through gods."