Chapter Four – The Man With the Rain in His Eyes

Lina barely got any sleep.

When she did drift off, her dreams were all messed up—her hands caught in cello strings, cliffs falling apart under her, a face hiding in the dark whispering her name but never actually saying it.

By morning, the storm was over, but the sky was still gray, like the world wasn't sure if it wanted to cry some more. The air felt clean, but also off, like someone had moved things around while she was out.

She walked around the house with no shoes on, her skin getting cold on the floor. The painting was still leaning against the wall—still quiet, still odd. The man in the mist looked a bit clearer now.

Or maybe she was just making that up.

She went back to the café around noon.

João smiled when she came in. Still standing after all that rain?

Just barely, Lina said, sitting down at the booth by the window. Do you ever see anyone walking near the cliffs at night?

Inês, who was fixing muffins, looked up. Not unless they want to die. Those paths get slippery.

What about a man—Adrian Vale?

João and Inês looked at each other.

He's a loner, João said carefully. Keeps to himself. Lives past the woods in that old glass house. No one sees him unless he wants them to.

Is he scary?

Inês chuckled. Not unless you hate moody people.

He plays the cello, Lina said, more to herself.

They both froze.

João coughed. Haven't heard that cello in ages.

What do you mean?

It used to float down from the cliffs some nights, Inês said. Sad, like something was grieving. Then it just stopped one day.

Lina stirred her tea slowly. I heard it last night.

Neither of them said anything.

She didn't push it.

Later that day, Lina was walking the cliffs again. She brought her sketchbook, but didn't use it much. She kept looking at the trees, hoping to see him again.

She didn't.

Instead, she walked farther down the path until it went into the pines. The air felt heavier, and it got darker. The wind didn't get through the trees. Even the birds were quiet.

She saw the house before she knew it.

It was at the end of a long dirt road, hidden in the trees like it didn't want to be found. A house made of glass and black stone, with vines growing all over it like time had tried to kill it.

It looked… old and futuristic at the same time.

Lina walked closer, her heart racing.

The cello was playing softly from inside. It wasn't a song—it was a voice, without words but full of memory. She touched the gate. It was iron and warm.

She could feel him.

She didn't know how she knew, but she did.

He was inside.

Watching her.

She stepped back.

That night, she was in the attic.

She didn't mean to be. But something pulled her there.

The painting hadn't changed. But she had.

She lit a candle and looked at it again.

The painting looked like her—hair blowing in the wind, eyes full of something she hadn't felt yet.

She touched the edge of the painting.

And a whisper, soft as breath, went into her ear.

Do you remember yet?

Lina gasped, jumping back and hitting her leg on a box.

Nothing moved.

She turned. The attic was still empty.

But she wasn't alone.

Not anymore.