Cold Glamor

Born into a wealthy family, Gu Shenwei was spoiled and carefree. However, at the age of 14, his entire family were brutally murdered, and he was caught by some bandits who sold him into slavery. As a slave boy, he entered Golden Roc Fort by chance and found the man who had slaughtered his family. He endured insults and worked hard to improve his kung fu while working as a slave boy. He learned from and plotted against his enemy under the enemy’s nose. He became increasingly ambitious as he became more and more powerful. He would only be satisfied if he completely destroyed his enemy—by fair means or foul. Gradually his bitter experience turned him into a totally different person. 
This is a kung fu fiction that is full of mysteries and surprises. This is a story dealing with love, betrayals and distances. This is the journey of an ordinary boy who, against all odds, fought against formidable foes. This is a tale regarding a person who felt abandoned by the world made unremitting efforts to create a new world of his own, in which he was alone.

Transn

Henyee Translations

Death Scripture

Transn_IOL

Among the four, only Shangguan Fei had entered Six Kills Temple, where the people in Golden Roc Fort had offered sacrifices to their ancestors. One of its rules was that no woman was allowed, which offended both Shangguan Fei and Shangguan Yushi, and they solidified their resolve to steal something from the temple.

Shangguan Fei sketched the outline of the temple in accordance with his memory. The main hall laid north near the cliff, sitting on a grand groundmass, and people could see it from many locations in Golden Roc Fort. At a hundred feet away from the hall, there was an arc stone wall which was high and wide enough to separate the hall and the Inner Residence.

The north-south rectangular main hall was different from ordinary temples. Its north side as well as half of the east and west sides hugged the cliff, and its windows were three meters high from the ground so that the sun could shed light on the ancestors' paintings on the opposite wall.

The Plan