Who wants to rule Myridia

Vesta and Athena share a sincere hug, while Hekate watches with disdain. They all look the same age, despite coming from three wildly different generations of gods.

Vesta tries to introduce her allies, but Athena interrupts her.

Noriko says. The others are shocked to hear the harsh tone on her voice, since she's talking to one of the most powerful gods in the galaxy.

Kari adds, pointing at the lifeless body of the Crone Hekate lying on the ground.

the other body of Hekate, the Maiden, threatens.

Athena recovers her spear from the Crone's heart, pointing it instead at the Maiden's throat; it's still dripping divine blood.

Athena says, removing her weapon from the enemy's throat.

Vesta asks.

Kari asks.

Noriko intervenes

Vesta asks, but Noriko continues.

Athena notes.

Athena, Vesta and Hekate look at each other, then Athena answers Noriko's question:

Earth, New York City

Max Black and a duplicate of Kari are walking the stairs to his apartment; he's carrying two sport bags, she has four tennis rackets.

she complains.

When they reach the door to the apartment, there's a woman waiting for them. Caucasian, about Kari's age, wearing glasses.

he asks. Kari jumps in front of him, looking at her uncomfortably close.

Kari asks.

she asks with a British accent.

The Aegis, in orbit above Myridia

Kari and Torn have decided to stay on the planet to meet Old Man Vor and Vesta volunteered to keep an eye on Elytra, but Noriko couldn't resist the offer to visit Athena's mothership.

Compared to Demeter's ship, the Aegis is visibly more modern: the endless corridors are filled with displays at every corner, with blinking lights everywhere.

"Max would've loved this. This feels like an episode of Star Trek" Noriko thinks.

Everyone crossing them salutes Athena by placing the right fist over the heart; it looks like a military salute of some kind. The atmosphere is very cordial: they don't look intimidated by Athena.

Noriko has to admit that she is intimidating. Still wearing the armor, the goddess looks even taller than six foot five, especially next to Noriko's five feet.

Nike is also dressed in armor, with the breastplate leaving her back completely exposed to make room for her rather large angel wings. Both armors seem rather impractical, leaving a lot of flesh exposed (Noriko notices that Athena doesn't have a navel); if they're as powerful as Vesta and Demeter, the armor is probably for show. In fact, judging by Hekate's reaction and recalling the extent of her dominion, Noriko suspects that Athena is far more powerful than them.

Nike informs Athena.

Noriko asks.

Nike says; she bows respectfully and walks away.

<"The Senate"?> Noriko repeats.

Athena admits, opening the door to her quarters. As she does, the armor disappears to be replaced with civilian clothes. It's really strange to see Athena wearing a feminine dress that wouldn't look out of place on a manager, even though it has the same colors of her armor...bronze and gold...and her symbol over the left breast: a lightning bolt on a cog. It's the same symbol of her golden earrings.

As they talk, Noriko can't help by admire Athena's private quarters: they are on a spaceship, but she couldn't tell it from here. It looks like the Hall of Mirrors from the Palace of Versailles.

They have now reached the table, where a lavish meal is awaiting them.

Athena answers, taking her seat.

Reluctantly, joins her...and while she doesn't want to admit it, shares the best lunch she ever had.

Noriko almost chokes on her food on the question, quickly turning red for the embarrassment.

Noriko quickly changes the subject.

They talk for what feel like hours. Despite her best efforts, Noriko can't help but feel a bond between them. And she has no doubts that Athena knows it too.

She retires to the guest room for the night; of course, it's far bigger and fancier than she'd imagined.

The other gods will arrive tomorrow. Since there's no chance to get anything done without Athena watching over her shoulder, she decides to indulge in her new stepmother's generosity.

She can't remember the last time she's had a relaxing bath. There's always something to build, someone to fight, the fate of the world on her shoulders. This is the first chance to unwind she's had in a long time; she just soaks in a tub the size of a pool, allowing her brain to rest.

Then someone touches her tight, and Noriko lets out a high-pitched scream.

Noriko tries to slap the boy's face before even seeing him, but ends up missing: he has teleported from her right to her left at the speed of thought.

she screams, trying to cover herself.

The boy teleports on the side of the pool and bows. He looks in his very early twenties, has curly hair and is completely naked. Noriko does her best to be as discreet as possible when she looks.