Chapter 25

In 2012, when I began writing and publishing e-books for JMS Books, one of my projects was to expand Your Mother Should Knowinto a novella around 20,000 words. While reading the story through and making notes about the new scenes I wanted to add—based on the story’s logline and theme—I discovered the story didn’t have much of a second act and moved far too briskly toward the climax and resolution. There was absolutely no discernable midpoint to the piece where the main characters made a commitment to complete their journey come hell or high water. I’m sure you’ve heard of theatrical plays having second act problems. Motherwas a good example of this dilemma. The good news was I had a starting point for the adaptation—expanding the second act and creating a midpoint.

First, let’s review the story’s logline: