Hina's Bento

"What do you think?" Seeing that Hina had finished reading the script, Asahi asked proactively.

"I have a few questions regarding Yukino sensei in the manuscript."

Hina saw Asahi's expression listening to the suggestion seriously, and said hesitantly: "Although I don't know why you are so sure that she looks a lot like me, but if you really want my own opinion, there are a few wrong places. and I can't say that there is a difference."

Hina didn't know why Asahi was stressing about what she was going to do and how she would feel when she faced something like that.

Putting those disturbing thoughts aside, Hina decided to come up with a suggestion using pure reader psychology combined with her own.

"Oh, where?" Asahi thought that there was nothing wrong.

"This, this, and this!" Hina first pointed to a sign that said, ["Hey, ah, do you want some coffee?" She asked frantically, her face red from his own joke. ]

Asahi began to think deeply: "What's the problem?"

Hina was like a student who was allowed to answer, and spoke enthusiastically: "Don't you think the description is too exaggerated? If it were me, I'd probably face her with a joke the same way, some other place. Even though Yukino's heroine stands out, but just in terms of perception, it doesn't match her personality."

Seeing him think carefully, Hina picked up a bento box that was twice the size of yesterday's: "Actually, it's not as much as I said. Hasegawa-san has written a good one, at most, it's fussy."

Asahi disagreed, and it could be argued that writing more perfect works was one of the few goals he emphasized.

"You're right, but what about other places?"

Not to mention the heroine, Asahi also wants to know how the protagonist and his background are described.

"I can't blame it anywhere else."

Hina feels that Yukino's heroine isn't a mistake, at best, she doesn't understand her character more deeply.

"Is that true?" Asahi asked again firmly.

"Real."

"You don't deny the basics. It turns out that Hina sensei is also a woman who will have a long-term affection for students, and thus is tempted to think about dating."

"What, no… don't make fun of sensei!"

Hina blushed and gave him a flirtatious look.

"Too bad you ate bread yesterday, this is for you."

After clearing up her mood, Hina gave Asahi her bento again: "How can a sensei turn a blind eye to students who eat bread that is not nutritious all day long."

"Thank you."

Not knowing how to write polite words, Asahi picked up a pink bento box, which looked relatively plain, with only a few snow-like decorations on the outside.

When opened, apart from takoyaki, rice, fried prawns, green vegetables and ham, there is also seaweed and miso soup.

Turning off the laptop, Asahi and Hina sat side by side on the roof, enjoying delicious food while looking at the view of all the students from above.

"It feels good, Hina sensei will definitely be a good wife and mother in the future."

"Hmph, it goes without saying that I was once determined to be a good bride and underwent rigorous bridal training."

Her expression is very proud, Hina lightly tastes the taste of miso soup, and Asahi watches from the side, her temperament is almost ripe and pure.

"Oh, I'll be leaving my lunch to Hina sensei from now on, please continue showing the results of the bride's training." Asahi calmly approached the long-term meal ticket.

"No problem! Leave it to me!" Mid-sentence, Hina felt something was wrong: "Wait, what happened to this kind of conversation like newlyweds?"

"That's because you don't understand distance, and you read my new work for free, shouldn't I be rewarded." Asahi changed the subject as a matter of course.

Hina frowned and thought for a moment: "That sounds about right, but something isn't right."

"Putting these things aside for now, Hina sensei is very pretty, don't you have a boyfriend? Even if it doesn't have one, there must be a lot of people after it."

Interrupting Hina's thoughts on purpose, Asahi asked with narrowed eyes after eating takoyaki.

In contrast to Takanashi Toka, who always seemed like a cold beauty, Tachibana Hina was gentle and caring, always harboring bad emotions in her heart, never involving others, and only tackling things when she ran into trouble.

She doesn't know how to ask others for help, and always accommodates others.

If she were to become a wife, she would definitely be a virtuous wife who would not trouble her husband, and would also be able to comfort her stressed husband when he came home from work.

"No, I had a crush on Sensei when I was in school, but I haven't contacted him in a long time after graduation."

Hina was completely unaware that Asahi was next to her, and she was pulling her hair in a very feminine manner.

"That is, Hina is still a young girl who has never been in a relationship?"

"Where said Sensei? You mustn't use such an impolite title towards Sensei."

Unlike Sensei, who puffed out her cheeks, Hina patted Asahi's head.

"The information gathered today is sufficient, in a number of ways."

Unknowingly, Asahi had finished eating the lunch box, and closed the lunch box: "Thank you for your hospitality, we will talk tomorrow."

Standing up without hesitation, Asahi left the rooftop under Hina's angry glare.

...

In this way, time continues until the end of the week.

Every day, Asahi writes a new work step by step, and goes to the roof for "experiments" during the day, as if by convention. Hina is very dissatisfied with Asahi's use of the word "experimental", because it's like a couple.

Afternoons are a rare time to laze around and sample a fine meal.

After school in the afternoon, when Asahi returns to Sakurasou, he has to instruct Mashiro to draw manga.

Recently, Asahi may have found some tricks. The things that Mashiro draws are increasingly in line with the tastes of normal readers.

At the same time, Utaha was also full of fighting spirit to prepare the plot of the third volume of [Love Metronome], always chatting with him, intentionally or unintentionally, discussing the next plot.

It is worth mentioning that, in terms of the male protagonist, Asahi felt that he had to adjust to the conflict, so he hesitated to play Naoto, so that it would be better and easier to plot further.

Utaha is however very stubborn in this regard, and prefers to spend more time figuring out more difficult plots than sticking to simple routines.

Asahi occasionally wonders if Utaha is acting rebellious because of her puberty.