CHAPTER 16. MAN TO MAN

He lay sick and unmoved, in pure opposition to everything. He knew

how near to breaking was the vessel that held his life. He knew also how

strong and durable it was. And he did not care. Better a thousand times

take one's chance with death, than accept a life one did not want. But

best of all to persist and persist and persist for ever, till one were

satisfied in life.

He knew that Ursula was referred back to him. He knew his life rested

with her. But he would rather not live than accept the love she proffered.

The old way of love seemed a dreadful bondage, a sort of conscription.

What it was in him he did not know, but the thought of love, marriage,

and children, and a life lived together, in the horrible privacy of domestic

and connubial satisfaction, was repulsive. He wanted something clearer,

more open, cooler, as it were. The hot narrow intimacy between man and

wife was abhorrent. The way they shut their doors, these married people,

and shut themselves in to their own exclusive alliance with each other,

even in love, disgusted him. It was a whole community of mistrustful

couples insulated in private houses or private rooms, always in couples,

and no further life, no further immediate, no disinterested relationship

admitted: a kaleidoscope of couples, disjoined, separatist, meaningless

entities of married couples. True, he hated promiscuity even worse than

marriage, and a liaison was only another kind of coupling, reactionary

from the legal marriage. Reaction was a greater bore than action.

On the whole, he hated sex, it was such a limitation. It was sex that

turned a man into a broken half of a couple, the woman into the other

broken half. And he wanted to be single in himself, the woman single in

herself. He wanted sex to revert to the level of the other appetites, to be

regarded as a functional process, not as a fulfilment. He believed in sex

marriage. But beyond this, he wanted a further conjunction, where man

had being and woman had being, two pure beings, each constituting the

freedom of the other, balancing each other like two poles of one force,

He wanted so much to be free, not under the compulsion of any need for

unification, or tortured by unsatisfied desire. Desire and aspiration

should find their object without all this torture, as now, in a world of

plenty of water, simple thirst is inconsiderable, satisfied almost

unconsciously. And he wanted to be with Ursula as free as with himself,

single and clear and cool, yet balanced, polarised with her. The merging,

the clutching, the mingling of love was become madly abhorrent to him.

But it seemed to him, woman was always so horrible and clutching, she

had such a lust for possession, a greed of self-importance in love. She

wanted to have, to own, to control, to be dominant. Everything must be

referred back to her, to Woman, the Great Mother of everything, out of

whom proceeded everything and to whom everything must finally be

rendered up.

It filled him with almost insane fury, this calm assumption of the Magna

Mater, that all was hers, because she had borne it. Man was hers because

she had borne him. A Mater Dolorosa, she had borne him, a Magna

Mater, she now claimed him again, soul and body, sex, meaning, and all.

He had a horror of the Magna Mater, she was detestable.

She was on a very high horse again, was woman, the Great Mother. Did

he not know it in Hermione. Hermione, the humble, the subservient,

what was she all the while but the Mater Dolorosa, in her subservience,

claiming with horrible, insidious arrogance and female tyranny, her own

again, claiming back the man she had borne in suffering. By her very

suffering and humility she bound her son with chains, she held him her

everlasting prisoner.

And Ursula, Ursula was the same—or the inverse. She too was the awful,

arrogant queen of life, as if she were a queen bee on whom all the rest

depended. He saw the yellow flare in her eyes, he knew the unthinkable

overweening assumption of primacy in her. She was unconscious of it

herself. She was only too ready to knock her head on the ground before a

man. But this was only when she was so certain of her man, that she

could worship him as a woman worships her own infant, with a worship

of perfect possession.

It was intolerable, this possession at the hands of woman. Always a man

must be considered as the broken off fragment of a woman, and the sex

like two angels, or two demons.was the still aching scar of the laceration. Man must be added on to a

woman, before he had any real place or wholeness.

And why? Why should we consider ourselves, men and women, as

broken fragments of one whole? It is not true. We are not broken

fragments of one whole. Rather we are the singling away into purity and

clear being, of things that were mixed. Rather the sex is that which

remains in us of the mixed, the unresolved. And passion is the further

separating of this mixture, that which is manly being taken into the being

of the man, that which is womanly passing to the woman, till the two are

clear and whole as angels, the admixture of sex in the highest sense

surpassed, leaving two single beings constellated together like two stars.

In the old age, before sex was, we were mixed, each one a mixture. The

process of singling into individuality resulted into the great polarisation

of sex. The womanly drew to one side, the manly to the other. But the

separation was imperfect even them. And so our world-cycle passes.

There is now to come the new day, when we are beings each of us,

fulfilled in difference. The man is pure man, the woman pure woman,

they are perfectly polarised. But there is no longer any of the horrible

merging, mingling self-abnegation of love. There is only the pure duality

of polarisation, each one free from any contamination of the other. In

each, the individual is primal, sex is subordinate, but perfectly polarised.

Each has a single, separate being, with its own laws. The man has his

pure freedom, the woman hers. Each acknowledges the perfection of the

polarised sex-circuit. Each admits the different nature in the other.

So Birkin meditated whilst he was ill. He liked sometimes to be ill

enough to take to his bed. For then he got better very quickly, and things

came to him clear and sure.

Whilst he was laid up, Gerald came to see him. The two men had a deep,

uneasy feeling for each other. Gerald's eyes were quick and restless, his

whole manner tense and impatient, he seemed strung up to some

activity. According to conventionality, he wore black clothes, he looked

formal, handsome and COMME IL FAUT. His hair was fair almost to

whiteness, sharp like splinters of light, his face was keen and ruddy, his

body seemed full of northern energy. Gerald really loved Birkin, though

he never quite believed in him. Birkin was too unreal;—clever,

whimsical, wonderful, but not practical enough. Gerald felt that his ownunderstanding was much sounder and safer. Birkin was delightful, a

wonderful spirit, but after all, not to be taken seriously, not quite to be

counted as a man among men.

'Why are you laid up again?' he asked kindly, taking the sick man's hand.

It was always Gerald who was protective, offering the warm shelter of his

physical strength.

'For my sins, I suppose,' Birkin said, smiling a little ironically.

'For your sins? Yes, probably that is so. You should sin less, and keep

better in health?'

'You'd better teach me.'

He looked at Gerald with ironic eyes.

'How are things with you?' asked Birkin.

'With me?' Gerald looked at Birkin, saw he was serious, and a warm light

came into his eyes.

'I don't know that they're any different. I don't see how they could be.

There's nothing to change.'

'I suppose you are conducting the business as successfully as ever, and

ignoring the demand of the soul.'

'That's it,' said Gerald. 'At least as far as the business is concerned. I

couldn't say about the soul, I'am sure.'

'No.'

'Surely you don't expect me to?' laughed Gerald.

'No. How are the rest of your affairs progressing, apart from the

business?'

'The rest of my affairs? What are those? I couldn't say; I don't know what

you refer to.'

'Yes, you do,' said Birkin. 'Are you gloomy or cheerful? And what about

Gudrun Brangwen?''What about her?' A confused look came over Gerald. 'Well,' he added, 'I

don't know. I can only tell you she gave me a hit over the face last time I

saw her.'

'A hit over the face! What for?'

'That I couldn't tell you, either.'

'Really! But when?'

'The night of the party—when Diana was drowned. She was driving the

cattle up the hill, and I went after her—you remember.'

'Yes, I remember. But what made her do that? You didn't definitely ask

her for it, I suppose?'

'I? No, not that I know of. I merely said to her, that it was dangerous to

drive those Highland bullocks—as it IS. She turned in such a way, and

said—"I suppose you think I'm afraid of you and your cattle, don't you?"

So I asked her "why," and for answer she flung me a back-hander across

the face.'

Birkin laughed quickly, as if it pleased him. Gerald looked at him,

wondering, and began to laugh as well, saying:

'I didn't laugh at the time, I assure you. I was never so taken aback in my

life.'

'And weren't you furious?'

'Furious? I should think I was. I'd have murdered her for two pins.'

'H'm!' ejaculated Birkin. 'Poor Gudrun, wouldn't she suffer afterwards

for having given herself away!' He was hugely delighted.

'Would she suffer?' asked Gerald, also amused now.

Both men smiled in malice and amusement.

'Badly, I should think; seeing how self-conscious she is.'

'She is self-conscious, is she? Then what made her do it? For I certainly

think it was quite uncalled-for, and quite unjustified.'

'I suppose it was a sudden impulse.''Yes, but how do you account for her having such an impulse? I'd done

her no harm.'

Birkin shook his head.

'The Amazon suddenly came up in her, I suppose,' he said.

'Well,' replied Gerald, 'I'd rather it had been the Orinoco.'

They both laughed at the poor joke. Gerald was thinking how Gudrun

had said she would strike the last blow too. But some reserve made him

keep this back from Birkin.

'And you resent it?' Birkin asked.

'I don't resent it. I don't care a tinker's curse about it.' He was silent a

moment, then he added, laughing. 'No, I'll see it through, that's all. She

seemed sorry afterwards.'

'Did she? You've not met since that night?'

Gerald's face clouded.

'No,' he said. 'We've been—you can imagine how it's been, since the

accident.'

'Yes. Is it calming down?'

'I don't know. It's a shock, of course. But I don't believe mother minds. I

really don't believe she takes any notice. And what's so funny, she used to

be all for the children—nothing mattered, nothing whatever mattered

but the children. And now, she doesn't take any more notice than if it

was one of the servants.'

'No? Did it upset YOU very much?'

'It's a shock. But I don't feel it very much, really. I don't feel any

different. We've all got to die, and it doesn't seem to make any great

difference, anyhow, whether you die or not. I can't feel any GRIEF you

know. It leaves me cold. I can't quite account for it.'

'You don't care if you die or not?' asked Birkin.Gerald looked at him with eyes blue as the blue-fibred steel of a weapon.

He felt awkward, but indifferent. As a matter of fact, he did care terribly,

with a great fear.

'Oh,' he said, 'I don't want to die, why should I? But I never trouble. The

question doesn't seem to be on the carpet for me at all. It doesn't interest

me, you know.'

'TIMOR MORTIS CONTURBAT ME,' quoted Birkin, adding—'No, death

doesn't really seem the point any more. It curiously doesn't concern one.

It's like an ordinary tomorrow.'

Gerald looked closely at his friend. The eyes of the two men met, and an

unspoken understanding was exchanged.

Gerald narrowed his eyes, his face was cool and unscrupulous as he

looked at Birkin, impersonally, with a vision that ended in a point in

space, strangely keen-eyed and yet blind.

'If death isn't the point,' he said, in a strangely abstract, cold, fine voice—

'what is?' He sounded as if he had been found out.

'What is?' re-echoed Birkin. And there was a mocking silence.

'There's long way to go, after the point of intrinsic death, before we

disappear,' said Birkin.

'There is,' said Gerald. 'But what sort of way?' He seemed to press the

other man for knowledge which he himself knew far better than Birkin

did.

'Right down the slopes of degeneration—mystic, universal degeneration.

There are many stages of pure degradation to go through: agelong. We

live on long after our death, and progressively, in progressive

devolution.'

Gerald listened with a faint, fine smile on his face, all the time, as if,

somewhere, he knew so much better than Birkin, all about this: as if his

own knowledge were direct and personal, whereas Birkin's was a matter

of observation and inference, not quite hitting the nail on the head:—

though aiming near enough at it. But he was not going to give himselfaway. If Birkin could get at the secrets, let him. Gerald would never help

him. Gerald would be a dark horse to the end.

'Of course,' he said, with a startling change of conversation, 'it is father

who really feels it. It will finish him. For him the world collapses. All his

care now is for Winnie—he must save Winnie. He says she ought to be

sent away to school, but she won't hear of it, and he'll never do it. Of

course she IS in rather a queer way. We're all of us curiously bad at

living. We can do things—but we can't get on with life at all. It's curious—

a family failing.'

'She oughtn't to be sent away to school,' said Birkin, who was considering

a new proposition.

'She oughtn't. Why?'

'She's a queer child—a special child, more special even than you. And in

my opinion special children should never be sent away to school. Only

moderately ordinary children should be sent to school—so it seems to

me.'

'I'm inclined to think just the opposite. I think it would probably make

her more normal if she went away and mixed with other children.'

'She wouldn't mix, you see. YOU never really mixed, did you? And she

wouldn't be willing even to pretend to. She's proud, and solitary, and

naturally apart. If she has a single nature, why do you want to make her

gregarious?'

'No, I don't want to make her anything. But I think school would be good

for her.'

'Was it good for you?'

Gerald's eyes narrowed uglily. School had been torture to him. Yet he

had not questioned whether one should go through this torture. He

seemed to believe in education through subjection and torment.

'I hated it at the time, but I can see it was necessary,' he said. 'It brought

me into line a bit—and you can't live unless you do come into line

somewhere.''Well,' said Birkin, 'I begin to think that you can't live unless you keep

entirely out of the line. It's no good trying to toe the line, when your one

impulse is to smash up the line. Winnie is a special nature, and for

special natures you must give a special world.'

'Yes, but where's your special world?' said Gerald.

'Make it. Instead of chopping yourself down to fit the world, chop the

world down to fit yourself. As a matter of fact, two exceptional people

make another world. You and I, we make another, separate world. You

don't WANT a world same as your brothers-in-law. It's just the special

quality you value. Do you WANT to be normal or ordinary! It's a lie. You

want to be free and extraordinary, in an extraordinary world of liberty.'

Gerald looked at Birkin with subtle eyes of knowledge. But he would

never openly admit what he felt. He knew more than Birkin, in one

direction—much more. And this gave him his gentle love for the other

man, as if Birkin were in some way young, innocent, child-like: so

amazingly clever, but incurably innocent.

'Yet you are so banal as to consider me chiefly a freak,' said Birkin

pointedly.

'A freak!' exclaimed Gerald, startled. And his face opened suddenly, as if

lighted with simplicity, as when a flower opens out of the cunning bud.

'No—I never consider you a freak.' And he watched the other man with

strange eyes, that Birkin could not understand. 'I feel,' Gerald continued,

'that there is always an element of uncertainty about you—perhaps you

are uncertain about yourself. But I'm never sure of you. You can go away

and change as easily as if you had no soul.'

He looked at Birkin with penetrating eyes. Birkin was amazed. He

thought he had all the soul in the world. He stared in amazement. And

Gerald, watching, saw the amazing attractive goodliness of his eyes, a

young, spontaneous goodness that attracted the other man infinitely, yet

filled him with bitter chagrin, because he mistrusted it so much. He

knew Birkin could do without him—could forget, and not suffer. This was

always present in Gerald's consciousness, filling him with bitter unbelief:

this consciousness of the young, animal-like spontaneity of detachment.

It seemed almost like hypocrisy and lying, sometimes, oh, often, on

Birkin's part, to talk so deeply and importantly.Quite other things were going through Birkin's mind. Suddenly he saw

himself confronted with another problem—the problem of love and

eternal conjunction between two men. Of course this was necessary—it

had been a necessity inside himself all his life—to love a man purely and

fully. Of course he had been loving Gerald all along, and all along

denying it.

He lay in the bed and wondered, whilst his friend sat beside him, lost in

brooding. Each man was gone in his own thoughts.

'You know how the old German knights used to swear a

BLUTBRUDERSCHAFT,' he said to Gerald, with quite a new happy

activity in his eyes.

'Make a little wound in their arms, and rub each other's blood into the

cut?' said Gerald.

'Yes—and swear to be true to each other, of one blood, all their lives.

That is what we ought to do. No wounds, that is obsolete. But we ought

to swear to love each other, you and I, implicitly, and perfectly, finally,

without any possibility of going back on it.'

He looked at Gerald with clear, happy eyes of discovery. Gerald looked

down at him, attracted, so deeply bondaged in fascinated attraction, that

he was mistrustful, resenting the bondage, hating the attraction.

'We will swear to each other, one day, shall we?' pleaded Birkin. 'We will

swear to stand by each other—be true to each other—ultimately—

infallibly—given to each other, organically—without possibility of taking

back.'

Birkin sought hard to express himself. But Gerald hardly listened. His

face shone with a certain luminous pleasure. He was pleased. But he kept

his reserve. He held himself back.

'Shall we swear to each other, one day?' said Birkin, putting out his hand

towards Gerald.

Gerald just touched the extended fine, living hand, as if withheld and

afraid.

'We'll leave it till I understand it better,' he said, in a voice of excuseBirkin watched him. A little sharp disappointment, perhaps a touch of

contempt came into his heart.

'Yes,' he said. 'You must tell me what you think, later. You know what I

mean? Not sloppy emotionalism. An impersonal union that leaves one

free.'

They lapsed both into silence. Birkin was looking at Gerald all the time.

He seemed now to see, not the physical, animal man, which he usually

saw in Gerald, and which usually he liked so much, but the man himself,

complete, and as if fated, doomed, limited. This strange sense of fatality

in Gerald, as if he were limited to one form of existence, one knowledge,

one activity, a sort of fatal halfness, which to himself seemed wholeness,

always overcame Birkin after their moments of passionate approach, and

filled him with a sort of contempt, or boredom. It was the insistence on

the limitation which so bored Birkin in Gerald. Gerald could never fly

away from himself, in real indifferent gaiety. He had a clog, a sort of

monomania.

There was silence for a time. Then Birkin said, in a lighter tone, letting

the stress of the contact pass:

'Can't you get a good governess for Winifred?—somebody exceptional?'

'Hermione Roddice suggested we should ask Gudrun to teach her to

draw and to model in clay. You know Winnie is astonishingly clever with

that plasticine stuff. Hermione declares she is an artist.' Gerald spoke in

the usual animated, chatty manner, as if nothing unusual had passed.

But Birkin's manner was full of reminder.

'Really! I didn't know that. Oh well then, if Gudrun WOULD teach her, it

would be perfect—couldn't be anything better—if Winifred is an artist.

Because Gudrun somewhere is one. And every true artist is the salvation

of every other.'

'I thought they got on so badly, as a rule.'

'Perhaps. But only artists produce for each other the world that is fit to

live in. If you can arrange THAT for Winifred, it is perfect.'

'But you think she wouldn't come?''I don't know. Gudrun is rather self-opinionated. She won't go cheap

anywhere. Or if she does, she'll pretty soon take herself back. So whether

she would condescend to do private teaching, particularly here, in

Beldover, I don't know. But it would be just the thing. Winifred has got a

special nature. And if you can put into her way the means of being self-

sufficient, that is the best thing possible. She'll never get on with the

ordinary life. You find it difficult enough yourself, and she is several

skins thinner than you are. It is awful to think what her life will be like

unless she does find a means of expression, some way of fulfilment. You

can see what mere leaving it to fate brings. You can see how much

marriage is to be trusted to—look at your own mother.'

'Do you think mother is abnormal?'

'No! I think she only wanted something more, or other than the common

run of life. And not getting it, she has gone wrong perhaps.'

'After producing a brood of wrong children,' said Gerald gloomily.

'No more wrong than any of the rest of us,' Birkin replied. 'The most

normal people have the worst subterranean selves, take them one by

one.'

'Sometimes I think it is a curse to be alive,' said Gerald with sudden

impotent anger.

'Well,' said Birkin, 'why not! Let it be a curse sometimes to be alive—at

other times it is anything but a curse. You've got plenty of zest in it

really.'

'Less than you'd think,' said Gerald, revealing a strange poverty in his

look at the other man.

There was silence, each thinking his own thoughts.

'I don't see what she has to distinguish between teaching at the Grammar

School, and coming to teach Win,' said Gerald.

'The difference between a public servant and a private one. The only

nobleman today, king and only aristocrat, is the public, the public. You

are quite willing to serve the public—but to be a private tutor—'

'I don't want to serve either—''No! And Gudrun will probably feel the same.'

Gerald thought for a few minutes. Then he said:

'At all events, father won't make her feel like a private servant. He will be

fussy and greatful enough.'

'So he ought. And so ought all of you. Do you think you can hire a woman

like Gudrun Brangwen with money? She is your equal like anything—

probably your superior.'

'Is she?' said Gerald.

'Yes, and if you haven't the guts to know it, I hope she'll leave you to your

own devices.'

'Nevertheless,' said Gerald, 'if she is my equal, I wish she weren't a

teacher, because I don't think teachers as a rule are my equal.'

'Nor do I, damn them. But am I a teacher because I teach, or a parson

because I preach?'

Gerald laughed. He was always uneasy on this score. He did not WANT

to claim social superiority, yet he WOULD not claim intrinsic personal

superiority, because he would never base his standard of values on pure

being. So he wobbled upon a tacit assumption of social standing. No,

Birkin wanted him to accept the fact of intrinsic difference between

human beings, which he did not intend to accept. It was against his

social honour, his principle. He rose to go.

'I've been neglecting my business all this while,' he said smiling.

'I ought to have reminded you before,' Birkin replied, laughing and

mocking.

'I knew you'd say something like that,' laughed Gerald, rather uneasily.

'Did you?'

'Yes, Rupert. It wouldn't do for us all to be like you are—we should soon

be in the cart. When I am above the world, I shall ignore all businesses.'

'Of course, we're not in the cart now,' said Birkin, satirically.'Not as much as you make out. At any rate, we have enough to eat and

drink—'

'And be satisfied,' added Birkin.

Gerald came near the bed and stood looking down at Birkin whose throat

was exposed, whose tossed hair fell attractively on the warm brow, above

the eyes that were so unchallenged and still in the satirical face. Gerald,

full-limbed and turgid with energy, stood unwilling to go, he was held by

the presence of the other man. He had not the power to go away.

'So,' said Birkin. 'Good-bye.' And he reached out his hand from under the

bed-clothes, smiling with a glimmering look.

'Good-bye,' said Gerald, taking the warm hand of his friend in a firm

grasp. 'I shall come again. I miss you down at the mill.'

'I'll be there in a few days,' said Birkin.

The eyes of the two men met again. Gerald's, that were keen as a hawk's,

were suffused now with warm light and with unadmitted love, Birkin

looked back as out of a darkness, unsounded and unknown, yet with a

kind of warmth, that seemed to flow over Gerald's brain like a fertile

sleep.

'Good-bye then. There's nothing I can do for you?'

'Nothing, thanks.'

Birkin watched the black-clothed form of the other man move out of the

door, the bright head was gone, he turned over to sleep.