The Greatest Showman #1298 - Musical Guest

From "Kill Your Love" to "Magic Horns," the conversation about Daniel flowed seamlessly. After the conclusion of the "Harry Potter" film series, the Iron Triangle ventured down different paths of growth.

Emma Watson steadfastly chose the path of "feminism," creating waves step by step with her political/public relations image. She further solidified her brand image by attending high-profile PR events for major fashion and luxury brands, focusing less on her performances and more on "public relations" to advance her career.

Rupert Grint, on the other hand, returned to the West End without hesitation, shedding the stigma of being a child star and honing his acting skills with sincerity. As his appearances on the big screen became less frequent, he gradually built a stable reputation in the West End and earned the respect of many colleagues.

Daniel Radcliffe has continuously sought to break free from his past roles, taking on eccentric characters and even delivering extraordinary performances on stage. His courage is commendable, but his relentless drive to experiment has sometimes undermined his foundation, leading to less successful ventures.

Objectively speaking, Emma now enjoys the most visibility. She has become a new-generation icon with immense commercial appeal, but her acting seems to be following a predictable path, stuck in the role of the "vase" in many productions.

Daniel has the most projects, averaging two to three per year, not including his stage work. Despite his continuous effort, his career is currently in a tricky spot, with roles becoming more detached from his previous work.

The most stable among the trio is Rupert. Not only has he firmly established himself in the West End, but he continues to work on stage productions and has made a significant mark in the industry.

Of course, everyone has their own unique qualities and paths, and it's impossible to make sweeping comparisons. It's evident that Daniel's bold attempts in "Kill Your Love" and "Magic Horns" show his desire to shed the "Harry Potter" persona. His persistence is admirable.

"Gentlemen and ladies, it's time to welcome our musical guest. While we already have two incredible talents in Ed Sheeran and Renly Hall, let's give a big round of applause to Robbie Williams!"

Whether as a member of Take That or as a solo artist, Robbie has a unique charm in the UK.

So far, seven of his nine solo studio albums have topped the UK Albums Chart. By 2012, his solo album also claimed the top spot.

This famous "bad boy" of the music world can easily be considered one of the most influential musicians in the UK since the Beatles. If we leave out the word "one," it wouldn't change much.

In the studio, you could feel the overwhelming impact of his presence. While it may not rival Renly's debut, the applause was deafening. Over half the audience stood, clapping and cheering. After politely greeting the other guests, the applause and whistles continued unabated.

Robbie sat on the far left, next to Renly, wearing a relaxed and sleepy expression. He looked over and said calmly, "So, are you trying to make it up to me now?"

His hoarse voice carried a distinct West England industrial accent, as though he was speaking with a pebble in his mouth. "You know, I waited and waited, almost growing hair, but there was still no sign of life. It seems you forgot I was here."

From the moment he appeared, Robbie's rebellious nature was evident, showcasing his unique style.

Graham, who seemed to have anticipated this, shrugged and said, "Who can refuse Master Renly?"

Robbie turned to Renly, but found him sitting calmly without any sign of fluster. The playful burden Graham had thrown landed awkwardly on him.

Robbie pouted and replied nonchalantly, "I can."

His gaze seemed to challenge Renly's authority, prompting a bright smile from Renly. "I'm not surprised. You must be the only one in the British art scene who doesn't have anything about the same-sex rumors."

The comment sparked laughter, and even Robbie couldn't help but laugh, saying with a playful tone, "Who knows? I'm always open to possibilities."

Renly smirked slightly, "So does Graham have a chance?"

All eyes turned to Graham, who was watching the exchange with amusement. He suddenly looked embarrassed and tried to express his innocence. "Doesn't anyone care what I think? Shouldn't you ask me first if I'm interested?"

Renly cut him off with a sharp question, "Then are you interested?"

Graham was momentarily speechless, his face blank as he tried to come up with an answer.

In a brief but hilarious back-and-forth, Graham was cleverly outmaneuvered by Renly and Robbie. The playful confrontation ignited the audience's enthusiasm, and before the cheers and whistles erupted, applause thundered through the studio.

Eventually, Graham raised his hands in surrender, winking at the audience, "Who can say no to Robbie Williams?" The crowd erupted into laughter at the remark.

Shifting gears, Graham smoothly transitioned the conversation. "Have you ever met Renly?"

"No, I haven't." Robbie shook his head, "But I'd really like to sit down with him if I get the chance. I'm always drawn to buttoned-up characters like him. It's a challenge."

"I think you might have a slight misunderstanding about buttons," Renly teased, his eyes flickering mischievously, which set off another round of laughter.

Robbie wasn't offended. "I was banned from using buttons when I was in rehab. I think I've developed an obsession with them." He didn't shy away from mentioning his past struggles with rehab, which had shaped his present self.

"I guess that's not a sensitive topic for some," Graham interjected thoughtlessly.

The room went silent, puzzled by Graham's comment. It was unclear whether he was referring to the "button" topic or something else entirely.

Lena Crabbe quickly caught on. She realized Graham was referring to Robert Downey Jr., who, after becoming Iron Man, had faced strict guidelines about discussing his troubled past. As time went on, Robert became increasingly private about his dark history, especially following the release of Iron Man in 2008.

The "Norton Show" was no exception, with this chaotic moment partly attributed to Robert's "credit."

The crew, including Lena, shared a knowing look, and excitement rippled through the room. The audience was quietly amused by the subtle commentary.

Unperturbed, Graham continued, "Robbie, you know you're making history, right? If your next album hits number one, you'll tie with Elvis Presley for the most number one albums by a male artist."

A wave of applause swept over the studio, with Renly and the others exchanging impressed glances at this rare achievement.

Robbie, ever the showman, laughed and pointed behind Graham. "Look at that lady behind you—her expression says: 'This shouldn't be born!' She noticed me looking, and quickly put on a cartoonish smile."

The laughter was contagious.

Robbie shrugged. "I know, this is a very unique experience. There are so many dream moments in life, and sometimes you start to wonder if it's all real. But here I am, still writing, still singing, and not planning on leaving anytime soon. I might just stick around and pester everyone for a while."

His humorous outlook had the audience grinning.

Robbie then turned the conversation back to Renly, saying, "I'm sure Renly knows exactly what I'm talking about. It's like living a life where... oh yeah, he won another award, and then another. It's like, 'God, how many miracles can one person make?'"

Renly raised an eyebrow. "I know exactly what you mean," he responded with a grin. "And I think Daniel can probably relate too."