Jesse Gray can’t get more unlucky. His roommate left him and he gets kicked out when he can’t afford the rent. Next, the owner of the fast food joint where he works part-time suddenly tells him he no longer works there. Jesse still has a job as a PA on a movie set but the pay will never be enough to afford even the cheapest room in Hollywood. There’s only one place left to stay the night -- in the park.<br><br>Trey Miller is the star on a TV series where Jesse works. They bump into each other one night while leaving the set, and Trey thinks Jesse is much too good-looking to only be a PA. When he learns of Jesse’s financial condition, he offers a place to stay at his house. Having no other options, Jesse reluctantly accepts the offer, but what’s the catch?

A Home for Jesse

Trey becomes aware of Jesse’s presence a second after the door opens, and he freezes, hand gripping his cock. He should say something, swear at Jesse, tell him to get the hell out, anything. He’s in his own room; he should be able to do whatever he wants without having his privacy invaded. But Jesse is here. Trey can’t think, can’t breathe a word or grab something to cover himself, and Jesse is staring, mouth open, his eyes going from Trey to the picture lying in front of him on the bed.


Trey figures Jesse will back up fast and leave as soon as he realizes what he’s interrupted, but he doesn’t. Instead, Jesse steps inside the room and closes the door behind him.


“Wha—” Trey can hardly get the word out.


Jesse approaches him, looking resigned but determined. He takes the picture—a printout of their picture that one of the fans had taken and posted on the Internet—puts it on the night table and turns his attention back to Trey.


“It’s all right, Trey,” Jesse says.


Chapter 15