Tom Foster and Noah Webster have been together for three years. In that time, Tom has completed his doctorate, Noah has begun working on his master's, and both men have come into their own as performers. Suddenly international recognition becomes a reality instead of a dream. They even perform at the dedication of a concert hall at the University of Aragoni.<br><br>But it's not all smooth sailing. They still have to battle Noah's Uncle Joe over the division of property he owned with Noah's late father. Tom's father has been distant ever since Tom chose music over law school. And Noah's mother's attitude toward his relationship with Tom leaves something to be desired. With their busy performance schedules, will Tom and Noah be able to make peace with their parents and get a fair deal?

The Performers

“Toscaand the Boito Mefistofele,” Tom said. “It was good timing because the JSO chorus is performing a concert version of Mefistofeleearly next year, and Noah will be singing the title role.”


“Well, you certainly saw two good ones,” Mrs. Foster said.


Their conversation turned to a discussion of various operas that was interrupted only by the arrival home of Bobby and Chad, who stopped in the doorway when they saw that there were guests. “Come on in, guys,” Tom said. “Noah, introduce Chad and your brother to my family.”


The conversation in the room turned from opera to the future plans of the new arrivals. When Mr. Foster learned who Chad’s father was, he said, “I know your father quite well. We’ve served on a number of bar association committees together.”


Chapter 61